Madonna

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Template:Infobox musical artist 2 Madonna Louise Ciccone Ritchie (born August 16 1958), better known as Madonna, is an American Grammy award winning pop singer, songwriter, musician, record and film producer, dancer, actress, author and a fashion trendsetter. She is usually noted for her innovative music videos, elaborately mounted stage performances, and use of political, sexual, and religious themes and imagery in her work. She is commonly referred to as the "Queen of Pop".[1]

In 2000, Guinness World Records matriculated Madonna as the most successful female recording artist of all time, with estimated worldwide sales of 120 million albums. [2] Her record company credits her as having sold over 200 million albums worldwide. Madonna is the highest earning female singer of all time, according to the 2007 Guinness Book of Records[3], and, according to Billboard Magazine, Madonna's 2006 Confessions Tour was the most successful concert tour of a female artist in history[4].

Biography

Early life

Madonna Louise Ciccone was born August 16, 1958, in Bay City, Michigan. The third of six children born to Silvio "Tony" Ciccone, a Chrysler engineer of Italian-American extraction whose parents originated from Pacentro, and Madonna Louise Fortin, a French Canadian. She was raised in a Catholic family in the Detroit suburbs of Pontiac and Avon Township (now Rochester Hills). Madonna's mother died of breast cancer at age thirty on December 1, 1963, and Madonna has frequently discussed the impact her mother's death had on her life and career, calling it "one of the hardest things I've faced in my life." Her father later married the family housekeeper, Joan Gustafson, and they had two children together.

Tony Ciccone required his children to take music lessons; however, after a few months of piano lessons, Madonna convinced him to allow her to take ballet classes instead. Madonna's ballet teacher, Christopher Flynn, mentored her in dance and provided Madonna with her first exposure to gay discotheques, a scene that would later have an impact on her music and style. She attended Rochester Adams High School, where she was a straight-A student, excelled at sports, and was a member of the cheerleading squad. Madonna received a dance scholarship to the University of Michigan and dated Damian Zikakis while there; however, in 1978 with Flynn's encouragement, Madonna left at the end of her sophomore year in 1978 and moved to New York City to pursue a dance career. Looking back at her arrival in New York, Madonna has said: "When I came to New York it was the first time I'd ever taken a plane, the first time I'd ever gotten a taxi-cab, the first time for everything. And I came here with $35 dollars in my pocket. It was the bravest thing I'd ever done."[5]

Madonna experienced financial difficulties; she moved to New York with little money and for some time lived in squalor, working a series of low-paying jobs, including a stint at Dunkin' Donuts. She also worked as a nude model on occasion. She studied with Martha Graham and Pearl Lang, and later performed with several modern dance companies, including Alvin Ailey and the Walter Nicks dancers. While performing as a dancer for the French disco artist, Patrick Hernandez, on his 1979 world tour, Madonna met and became romantically involved with the musician Dan Gilroy, with whom she later formed her first rock band, the Breakfast Club, in New York. In addition to providing vocals, she played drums and guitar before forming the band Emmy in 1980 with drummer and former boyfriend Stephen Bray. She and Bray wrote and produced a number of solo disco and dance songs that brought her local attention in New York dance clubs. DJ and record producer Mark Kamins was sufficiently impressed by her demo recordings to bring them to the attention of Sire Records founder Seymour Stein.

Music career

1980–1985: Career beginning and rise to fame

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Madonna in her first music video for "Everybody," a low-budget video that featured Madonna and her dancers in a rather dark New York club (1982).

In 1982, Madonna signed a singles deal with Sire Records in the United States that paid her $5,000 per song. Her first release, "Everybody," a self-written song produced by Mark Kamins, became a dance hit in the U.S. on the Billboard Hot Dance/Club Chart but failed to make an impact on the Billboard Hot 100. It also gained airplay on U.S. R&B radio stations, leading many to assume that Madonna was a black artist. The double-sided 12" vinyl single featuring "Burning Up" and "Physical Attraction" followed in 1983, and was a success on the U.S. dance charts. These results convinced Sire Records' executives to finance an album.

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Her debut album, Madonna , a collection of dance songs, was primarily produced by Reggie Lucas, but early in the recording process both realized that they could not work well together. After initial production on the album was completed, Madonna took the finished but unsatisfactory album to her then boyfriend, John "Jellybean" Benitez, who remixed and rearranged it. It reached number eight on the U.S. albums chart and contained three successful Hot 100 singles ("Holiday," "Borderline," and "Lucky Star"), and at its time of release sold three million copies worldwide, with one million of those in the U.S. It has since been certified with current sales of six million worldwide. According to Australian music guru Ian "Molly" Meldrum, it was Australia that gave Madonna her first hit for the song "Burning Up" on Meldrum's hugely popular show "Countdown."

Madonna's provocative style became popular with teenagers, and it wasn't long before teenage girls, who were known as "Madonna wannabes", were dressing up as her.[6]

Her follow up album, Like a Virgin, was an international success, and became her first number one album on the U.S. albums chart. Buoyed by the success of its title track, which reached number one in the U.S. (with a six week stay at the top of the Billboard Hot 100 Singles Chart) as well as hit singles with "Material Girl" (#2 US, kept out of the number one spot due to USA For Africa's "We Are The World" single), "Angel", and "Dress You Up", the album sold twelve million copies at its time of release and currently stands at seventeen million copies worldwide[7] and produced four top-five singles in the U.S. and the U.K. Her performance of the song at the first MTV Video Music Awards, during which she writhed on the stage (on top of a wedding cake) wearing a combination bustier/wedding gown, lacy stockings, garters, and her then-trademark "Boy Toy" belt, was the first of several public displays that boosted Madonna's fan base as much as they incensed some critics, who felt that her provocative style attempted to disguise an absence of talent.

"Like a Virgin" (1984), directed by Mary Lambert, was shot in Venice, Italy and featured Madonna dancing on a gondola and in a wedding dress.

In 1985, Madonna entered mainstream films, beginning with a brief appearance as a club singer in the film Vision Quest. The soundtrack to the film contained her second number one pop hit, the Grammy-nominated ballad "Crazy for You", as well as the UK hit "Gambler". Later that year she appeared in the commercially and critically successful film Desperately Seeking Susan, with her comedic performance winning her positive reviews. The film introduced the dance song "Into the Groove", which was released as a B-side to her single "Angel", peaking at number five in the US and becoming a major hit internationally, and her first number one in the UK

Madonna embarked on her first concert tour in the U.S. in 1985 titled The Virgin Tour, with opening act The Beastie Boys.

In July 1985, Penthouse and Playboy magazines published a number of black and white nude photos of Madonna taken in the late 1970s. The publications caused a swell of publicity and public discussion of Madonna, who at first tried to block them from being published, but later remained unapologetic and defiant. Speaking to a global audience at the outdoor Live Aid charity concert at the height of the controversy, Madonna made a critical reference to the media and stated she would not take her jacket off, despite the heat, because "they might hold it against me ten years from now".[8]

1986–1991: Artistic development

The music video for "True Blue" (30 June 1986), directed by James Foley, featured a 1950s theme.

Madonna's 1986 album True Blue presented a more musically and thematically mature album than its predecessors, prompting Rolling Stone to declare, 'singing better than ever, Madonna stakes her claim as the pop poet of lower-middle-class America.'[9] The album included the soulful ballad "Live to Tell", which she wrote for the film At Close Range, starring then-husband Sean Penn. The album was also the first to credit her as producer. She collaborated with composer Patrick Leonard, who would become a long-time collaborator and friend. True Blue reached #1 in various countries around the globe and sold over eleven million copies worldwide at its time of release[10] and produced five successful singles in "Live To Tell", "Papa Don't Preach", "Open Your Heart", "True Blue" and latin/caribbean-themed "La Isla Bonita". The first three singles would hit number one in the U.S.

The music videos for the album True Blue displayed Madonna's continued interest in pushing the boundaries of the video medium to a cinematic level, including elaborate art direction, cinematography, and film devices such as character and plot. Though Madonna had already made videos expressing her sexuality, she added religious iconography, gender archetypes, and social issues to her oeuvre, and these concepts would carry through her work for years to come. One notable example was the "Open Your Heart" video, her first collaboration with French photographer Jean-Baptiste Mondino.

In 1987, Madonna starred in the box office failure Who's That Girl?, and contributed four songs to its soundtrack, including the film's title track, which became a hit and Madonna's sixth #1 single in the US. The albums second single, "Causing a Commotion" also went top five.

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In 1987, Madonna embarked on the successful Who's That Girl World Tour, beginning her long association with backing vocalists and dancers Donna DeLory and Niki Haris, and moving closer to the more elaborately staged theater-inspired concert tour. It also marked her first run-in with the Vatican, with the Pope urging fans not to attend her performances in Italy. The Vatican later expressed outrage at the unveiling of a racy 13-foot tall statue of Madonna in the Italian town of Pacentro, from where her father's family hailed.

Later that year, Madonna released a remix album of past hits, You Can Dance, which included one new song, "Spotlight." The album sold nearly two million copies in the U.S. upon release.

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"Like a Prayer" (1989) caused controversy as it was condemned by the Vatican for its 'blasphemous' mixture of Catholic symbolism and eroticism.

Madonna's fourth album, released in 1989, Like a Prayer, presented more reflective and personal lyrics and a more mature vocal style. Co-written and co-produced with Patrick Leonard and Stephen Bray, it settled her as a serious pop artist. Most of the songs were recorded with all the musicians playing in the same room, which gave the album the straightforwardness and sincerity of a live recording. She teamed up with Prince on a duet, and he also lent his talent as a guitarist on two songs. Like a Prayer garnered Madonna the strongest reviews of her career and attracted a more mature audience. All Music Guide described the album as "her best and most consistent",[11] while Rolling Stone hailed the album as "..as close to art as pop music gets".[12] Like a Prayer produced five hit singles, the title track, "Express Yourself," "Cherish," "Oh Father," and "Keep It Together." "Prayer," itself, hit number one on the Hot 100.

In early 1989, Madonna signed an endorsement deal with soft drink manufacturer Pepsi, which would debut her new song, "Like a Prayer", in a Pepsi commercial that Madonna herself would also appear in. Madonna would make a separate music video which Pepsi would have nothing to do with. Although the commercial was not controversial in itself, the video for "Like A Prayer" released the following day would cause an uproar. The video premiered on MTV and featured many Catholic symbols, such as stigmata, and was condemned by the Vatican for its "blasphemous" mixture of Catholic symbolism and eroticism. The video depicted a black man who comes to the aid of a white woman being murdered by white men and he is falsely arrested for the crime. Madonna, who has witnessed the crime, secures his release. Although the video's intent was to denounce racism, Madonna was criticized for her use of burning crosses and "making out" with Jesus and Pepsi was bombarded with complaints and boycotts. Since the commercial and music video were nearly identical in visual terms, the soft drink manufacturer was unable to convince the public that their commercial actually had nothing that could be deemed inappropriate. Succumbing to pressure, Pepsi pulled the commercial but Madonna was allowed to keep her five million dollar fee, as Pepsi had nullified the contract, not she. The album went to number one on the US album chart upon its release due to the ensuing publicity, and it sold six million copies worldwide at that time (three million of those in the US).

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In 1990, Madonna starred as Breathless Mahoney in a film adaptation of the popular comic book series Dick Tracy. To accompany the launching of the film, in May 1990 she released I'm Breathless, which included songs from and inspired by the film's 1930s setting. It featured the #1 house music anthem "Vogue" (which was an hommage to the Hollywood stars), the Gershwin-esque "Something to Remember", and three songs by Stephen Sondheim, including "Sooner or Later," which won an Academy Award for 'Best Original Song.' I'm Breathless was a success in Europe, Australia and the United States, and sold four million copies worldwide (2x platinum in the US) at its time of release.

From April until August 1990, Madonna toured Japan, North America, and Europe on her highly successful Blond Ambition Tour, which the singer likened to musical theatre. Featuring religious and sexual themes and symbolism, the tour drew controversy from Madonna's performance of "Like a Virgin", during which she allowed two male dancers to caress her body before she simulated masturbation. Despite the controversy, however, the tour is now considered to have changed the look and feel of concert tours, and remains one of the singer's most popular tours amongst her fans.

The black and white music video for "Vogue" (1990) recalled the look of 1930s Hollywood films.

In November 1990, Madonna released her first greatest hits compilation album, The Immaculate Collection, which included two new songs, "Justify My Love" and "Rescue Me." The music video for "Justify My Love", again directed by Mondino, showed Madonna in a Parisian hotel, in suggestive scenes with her then-lover, model/actor Tony Ward, as well as scenes of S&M, bondage with gay and lesbian characters, and brief nudity. It was deemed too sexually explicit for MTV, and was subsequently banned from the station. Warner Bros. Records released the video as a video single—the first of its kind—and it became the highest-selling video single of all time.

In 1991, Madonna starred in her first documentary film, Truth or Dare (also known as In Bed with Madonna outside North America), which chronicled her successful 1990 Blond Ambition Tour, as well as her personal life. The following year, she appeared in the baseball film A League of Their Own, and recorded the film's theme song, "This Used to Be My Playground", which became her tenth #1 single in the United States.

1992–1997: Sex controversy and Evita

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The controversial music video for "Erotica" (1992) was aired only three times on MTV due to its highly charged sexual content.

Erotica, produced primarily with Shep Pettibone, was disregarded as simply being a "porn" album, with most believing that all the album tracks were about sex; but in truth the album only featured three (out of fourteen) overtly sexual songs: "Erotica," "Where Life Begins," and "Did You Do It?". The album peaked at number two in the US and produced six singles, with its most successful being its title track "Erotica," which became the highest-debuting (number two) single in the history of the US Hot 100 Airplay chart. The controversial music video that accompanied the song only aired three times on MTV due to its highly charged sexual content.

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The Girlie Show Tour in 1993 was Madonna's most explicit and controversial concert tour to date and featured Madonna dressed as a whip-cracking dominatrix, surrounded by topless dancers, including Luca Tommassini and Carrie Ann Inaba. The controversy caused by the tour followed Madonna when she caused uproar in Puerto Rico by rubbing the island's flag between her legs on stage, while Orthodox Jews protested against her first-ever show in Israel. Madonna would later comment that this period of her life was designed to give the world every single morsel of what they seemed to be demanding in their invasion of her private life. She hoped that once it was all out in the open, people could settle down and focus on her work.

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Credited as one of Madonna's most experimental videos, "Bedtime Story" (1995) directed by Mark Romanek featured images inspired by paintings by artists Frida Kahlo and Remedios Varo.

After the raunchy sex period, Madonna released her sixth studio album, Bedtime Stories, co-produced by Nellee Hooper and Dallas Austin. Madonna at the time was inspired by R&B/rock singer Joi's debut album Pendulum Vibe, and was so in love with it that she recruited producer Dallas Austin to help with her project. The album features Madonna turning to a more R&B-flavoured sound. It was a success in Europe, Australia, and the United States, where it peaked at number three and was nominated for a Grammy in the Best Pop Vocal Album category. With its title track partially written by Björk, the album gave a hint of what would come musically a few years later. It produced four singles, including "Take a Bow," co-written and produced with Babyface. The song was a success on the Billboard Hot 100, reaching number one for seven consecutive weeks, but became the first Madonna song not to chart in the UK Top 10, charting at number 16. The Michael Haussman Spanish-themed video, meanwhile, would later help her win the lead role in Evita.

On 7 November 1995, Madonna released Something to Remember, a collection of her best ballads, which featured three new tracks, including a cover of Marvin Gaye's classic "I Want You", which she recorded with British band Massive Attack, and the top ten hit "You'll See." The album just missed the top five on the U.S. charts; it has since been certified triple platinum.

In 1996, Madonna's most critically successful film, Evita, was released. The film's soundtrack became her twelfth platinum album and produced two hit singles, "Don't Cry for Me Argentina" and "You Must Love Me", the latter of which was written specifically for the film. "You Must Love Me" won an Academy Award and a Golden Globe for Best Original Song From a Motion Picture the following year. Madonna herself also won a Golden Globe award for Best Actress in a Musical or Comedy but failed to receive an Academy Award nomination.

1998–2002: Return to prominence

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"Ray of Light" (3 March 1998), directed by Jonas Åkerlund, featured a high-speed video, showing ordinary people performing their daily routines.

Madonna's seventh studio album, 1998's Ray of Light, blended personal and introspective lyrics with Eastern sounds, down-tempo, electronic instrumentation, strings by Craig Armstrong and a strong rave flavor. The album reached number two on the U.S. albums chart and since its release has been certified 4x platinum. It earned Madonna the strongest reviews of her career since Like a Prayer and has been widely considered by critics to be one of her greatest artistic achievements. Amazon.com described the album as "her richest, most accomplished record yet",[13] while Rolling Stone credited Madonna and her co-producer William Orbit for "creating the first mainstream pop album that successfully embraces techno," stating that musically Ray of Light is her "most adventurous record" yet.[14] Ray of Light produced five singles, including the European number one "Frozen". The album won four awards at the 1999 Grammy Awards and has been ranked #363 on Rolling Stone's list of 500 Greatest Albums of All Time. Madonna followed the success of Ray of Light with the top-ten single "Beautiful Stranger," a late 60s psyche-pop song she wrote with William Orbit and recorded for the Austin Powers: The Spy Who Shagged Me soundtrack (1999).

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In 2000, Madonna released her follow-up film to Evita. The Next Best Thing was a disappointment at the box office and was panned by critics. Madonna contributed two songs to the film's soundtrack, namely "Time Stood Still" and European number one "American Pie," a dance cover version of the 1970s Don McLean single.

Music, her eighth studio album, had Madonna slightly step away from the exploration of spirituality and fame to get back to the "party" spirit of dance, pop, and house music. However, she retained the introspective poignancy of Ray of Light in songs such as "Paradise (Not for Me)" and introduced guitars for a more folk-like note, notably in "Don't Tell Me" or ballads such as "Gone". Music debuted at number one on the US albums chart and became her first number one album release since her 1989 Like a Prayer. Mainly co-written and produced with French house musician Mirwais Ahmadzai, the album produced three singles, including the worldwide number one "Music." The album's third single, "What It Feels Like for a Girl", featured a controversial music video, directed by Madonna's husband, Guy Ritchie, and was banned by MTV and VH1 after just one airing due to its graphic violence.

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The music video for "Music" featuring Ali G (2000).

In 2001, Madonna embarked on the Drowned World Tour, her first tour in eight years. The concert tour was successful, was the subject of a television special in the US, and was released on DVD in November 2001 to coincide with the release of her second greatest hits album, GHV2. Unlike her previous compilation, GHV2 did not include any new songs, although clubs did receive multiple megamixes for promotional play only. In 2002, she wrote and performed the theme song to the James Bond film Die Another Day. The song reached number eight on the Billboard Hot 100 and was nominated for both a Golden Globe for Best Original Song and a Golden Raspberry for Worst Song.

2003–2006: Commercial ups and downs

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The original video for American Life (2003) was widely seen as controversial and was revoked on the day of its release due to its graphic images and antiwar message.

Madonna's ninth studio album, American Life, in which her lyrics were themed on the aspects of the American dream, fame, fortune and society, polarized music critics with both extremely positive and extremely negative reviews. Arguably her most daring and musically extreme album, American Life presented a darker and more serious side of the singer. Once again, she teamed up with Mirwais with string arrangement contributed by French musician, Michel Colombier, who had already collaborated on Music, a gospel choir, and prominent acoustic guitars.

The music video for the first single, "American Life", caused controversy in the US, as it contained visceral scenes depicting war, explosions, and blood. The day before the video was to air on European television, Madonna pulled it and released instead an edited and much tamer version, which showed her singing in front of flags from around the world. The song failed to perform well on the US singles charts, peaking at thirty-seven on the Billboard Hot 100.

Having sold just 4 million copies, American Life is the lowest selling album of her career.American Life produced three more singles, which all failed to chart in the US.

Later that year, Madonna performed a re-mixed version of her song "Hollywood" with Britney Spears, Christina Aguilera, and Missy Elliot at the MTV Video Music Awards. The performance caused controversy as Madonna kissed both Spears and Aguilera during the performance, resulting in tabloid press frenzy. That fall, Madonna provided guest vocals on Spears' single "Me Against the Music".

In an effort to boost sales of American Life, Madonna released Remixed & Revisited, a remix EP that included remixes and rock versions of songs from American Life, as well as "Your Honesty", a previously unreleased song from the Bedtime Stories sessions. The EP did not perform well on the charts and peaked outside the top 100 on the US albums chart.

During the American Life time period, Madonna worked with fashion photographer Steven Klein in what was to become a photo and video installation entitled X-Static Process that would tour in major art galleries around the world. These images were to be used for her Re-Invention Tour.

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In 2004, Madonna embarked on The Re-Invention Tour, which featured fifty-six dates in the US, Canada, and Europe and became the highest-grossing tour of 2004, earning $125 million. Also in 2004, Madonna was involved in a brief legal battle with Warner Music Group, with whom she co-owned record label Maverick. The legal dispute ended with Warner Music Group buying Madonna's shares in the record label.[15] In 2004, Rolling Stone Magazine ranked her #36 on their list of the 100 Greatest Artists of All Time.[16].

In January 2005, Madonna performed a cover version of the John Lennon song "Imagine" on the televised U.S. aid concert "Tsunami Aid: A Concert of Hope", which raised money for the tsunami victims in Asia.

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Madonna's retro inspired "Hung Up" (2005) music video.

Madonna's tenth studio album, Confessions on a Dance Floor (2005), was built as a continuous mix of dance songs, with musical elements borrowed from the '70s as well as her own repertoire. The album received the most positive reviews since 1998's Ray of Light, and was considered a return to form after the negative reception to American Life. It has produced two successful singles: "Hung Up", which featured a sample of the ABBA song "Gimme! Gimme! Gimme! (A Man After Midnight)" and "Sorry." Worldwide, "Hung Up" surpassed "Music", "Like A Prayer" and "Vogue" as the most successful single of her career. Madonna opened the 2005 Grammy Awards with "Hung Up", alongside the nominated computer-generated band, The Gorillaz.

"Sorry" then became Madonna's twelfth number one in the UK. A third single, "Get Together," reached the UK Top 10 and became her thirty-sixth number one dance hit in the U.S. (the most for any artist in Billboard history), but failed to chart on the Billboard Hot 100 charts. The fourth, and final single release from Confessions on a Dance Floor was "Jump", and was released in the UK in November 2006, charting at Number 9. "Jump" was also the #1 Billboard Hot Dance Airplay and Hot Dance/Club Play, as well as in both Billboard's general and dance Single Sales Charts.

In the summer of 2006, Madonna signed on to become the worldwide face of H&M.[17] Madonna took part in a photoshoot campaign shot by photographer, Rakin, with her Confessions Tour dancers modeling the clothes that fit their style. Madonna was shot wearing an exclusive tracksuit she helped to design that was sold at each of the clothing stores.[18]

Madonna's Confessions Tour kicked off in late May 2006, and the singer had to add additional dates to keep up with demand. The tour grossed a reported $260.1 million and set the record for the top-grossing tour ever by a female artist in history [3]. Madonna's tour also had a global audience of 1.2 million. However, it also sparked controversy when she used religious symbols such as the crucifix and crown of thorns in her performance of "Live to Tell". The tour ended its 60-date run on September 21, 2006, in Tokyo. Madonna won two Billboard Awards for her Confessions Tour, one for top boxscore, and one for her management.

In October 2006, Madonna flew to Malawi to help build an orphanage, which she also funded, as part of the Raising Malawi initiative. While there, began the process to adopt a baby boy, David.

A DVD/Live CD of "The Confessions Tour Live From London" special will be released on January 29, 2007 internationally and January 30, 2007 in the US. In March 2007 Madonna will have her own fashion line with H&M called M by Madonna.[19]

Madonna is nominated for three Grammys. Two for her 2005 record "Confessions On A Dancefloor", and one for her documentary "I'm Going To Tell You A Secret".

Acting career

Madonna's success in acting has been varied, but mostly heavily panned by critics. She was presented with a special Razzie award in the year 2000 as "Worst Actress of the Century"[20]

In 1979, Madonna starred in A Certain Sacrifice, a low-budget film filmed long before she achieved widespread popularity as a successful recording artist. Its release in 1985 coincided in with the success of her second album Like a Virgin, and did not please Madonna who tried to prevent its release. A representative from Madonna offered to buy the rights of the film for $5,000, which director Stephen Jon Lewicki refused. That same year Madonna appeared in two separate films. She made a cameo as a club singer in the film Vision Quest and garnered commercial and critical success in her first starring role in Susan Seidelman's film, Desperately Seeking Susan, which told the story of a housewife who is fascinated with a woman she only knows about by reading messages to and from her in the personals section of a New York City tabloid. It was a commercial success and grossed $27 million in the United States alone.[21] She appeared as Gloria Tatlock in the adventure drama film Shanghai Surprise (1986) with her ex-husband Sean Penn. The film did nothing to further her acting career, was dismissed by moviegoers, and received poor reviews by critics, with many criticizing her acting, calling it wooden and unbelievable. Subsequent films such as Who's That Girl? (1987) and Bloodhounds of Broadway (1989), based on short stories by Damon Runyon, failed to attract commercial and critical success.

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Madonna as Eva Perón in the film adaptation of the Andrew Lloyd Webber musical Evita (1996).

In 1990, after a string of unsuccessful films, Madonna starred as Breathless Mahoney in the action film Dick Tracy, directed by Warren Beatty based on the popular Chester Gould's comic strip. She sang three Stephen Sondheim songs and played opposite histrionic Al Pacino as well as Beatty. Although she received mostly positive reviews for her role, critics were quick to point out that her best-reviewed roles were ones where Madonna had played someone who is not unlike herself.

In 1991, Woody Allen offered her a small role in Shadows and Fog as a trapeze artist opposite John Malkovich. The film was shot in black and white and was an hommage to German Expressionist cinema, backed by the music of Kurt Weill. The following year, Penny Marshall cast her in A League of Their Own opposite Tom Hanks, Geena Davis and Rosie O'Donnell. The film, which centered on a women's baseball team during World War II, earned Madonna good reviews from critics for her lightweight and comedic performance. The film became one of the most commercially successful of the year.

Following the backlash of her sexual provocative book Sex and its companion album Erotica, Madonna starred in the 1993 erotic-thriller Body of Evidence with Willem Dafoe. The film was overwhelmingly panned by critics and performed poorly at the box office. Later that year she starred in Dangerous Game opposite Harvey Keitel and James Russo. The film revealed her as a more than able actress and was very well received in France, where French newspaper Libération dubbed her the "fucked up Marilyn of the 90's". However, Dangerous Game was considered much too nihilistic and violent, and was released straight to home video in North America. In an attempt to improve her acting credentials, Madonna chose to take roles in independent films, first playing a singing telegram girl (again opposite Harvey Keitel) in Wayne Wang's Blue in the Face (1995) and as a witch in Four Rooms (1995). She also had a cameo as phone sex company owner in Spike Lee's film Girl 6 in 1996.

Madonna during her visit to Madrid, 1996.

In 1996, Madonna starred as Eva Perón in the film adaptation of the Andrew Lloyd Webber musical Evita. The film marked the first time in America since her appearance in Desperately Seeking Susan that Madonna was critically praised for her acting skills in a starring role, even though some critics compared the film to a long music video, which required no further acting skills of Madonna than what she had already exhibited in her own videos[citation needed]. Madonna had campaigned for the role for nearly ten years and, in December 1994, she wrote a four-page, handwritten letter to director Alan Parker explaining that she would be perfect to play the role. Parker agreed and to prepare for the film Madonna took voice lessons to extend her range and researched the life of her character.[22] In January 1997, she won a Golden Globe Award for Best Actress in a Motion Picture Musical or Comedy, but failed to receive a nomination at the Academy Awards, though the song "You Must Love Me" won the Oscar for Best Song. Both "You Must love Me" and "Don't Cry For Me Argentina" were hit singles.

Madonna's follow-up to Evita was yet another critically panned role as Abbie, a woman who decides to have a baby with her gay best friend, in the film The Next Best Thing (2000) directed by John Schlesinger. Some critics however were kinder: French magazine Telerama pointed out that the script was much too weak, and neither she or the other two male leads, Rupert Everett and Benjamin Bratt could save the film or a director who's been running out of inspiration for some time already.[citation needed]

Swept Away followed in 2002, and was also critically panned. The film, a remake of an Italian film bearing the same name by Lina Wertmüller in 1975, was the first big screen collaboration between Madonna and her husband Guy Ritchie. The film was mercilessly dished (it received seven Razzie Award nominations, winning five including Worst Actress for Madonna) and has been considered to be one of the worst films ever made.

In 2002, Madonna made her London West End theatre debut in a version of Australian plawright David Williamsons play Up For Grabs[23]. To accommodate her, the setting was relocated from Sydney to New York, with the object of desire a Jackson Pollock as opposed to a Brett Whiteley painting. Generally criticised for her lack of technical ability, a critic used in his review a line from the play: "If you think a big marketing budget will sell any old junk, you'd be wrong. It's got to be quality junk."[24][25][26]. Later that year Madonna had a short role in the James Bond film Die Another Day, and also sang the theme song. In the movie, Madonna played a fencing instructor at a British Academy.

After 2002's James Bond film "Die Another Day" theme song, in late 2004, she provided the voice of Princess Selenia in the animated film Arthur and the Invisibles, set for release in January 2007.[27]

In March 2006, Madonna stated in an interview that she had given up acting because she fears her acting reputation will condemn any film she is a part of.[28] She has also expressed her frustration with the process of filmmaking, with the comment "I've been unlucky with some of my films because it's difficult for me to be a brushstroke in someone else's painting."[29]

Documentaries

In 1991, Madonna released her first documentary, Truth or Dare (known as In Bed with Madonna outside the U.S.). The film, directed by Alek Keshishian, followed Madonna on her Blond Ambition world tour in support of her successful 1989 album Like a Prayer. The film featured black and white backstage scenes and live performances filmed in color. Truth or Dare was released in theatres worldwide, and became a box office hit, grossing more than $15 million in the U.S. alone.[30] Despite of its success, however, one is allowed to question the characterization of this film as "documentary", since most of it obviously is staged and laboriously edited. However, the film does offer a few glimpses of honesty: in a surprisingly frank moment, then-boyfriend Warren Beatty jokes about Madonna's constant need to be in the spotlight, implying a certain amount of disingenuousness and vacuity on her part – and indeed, in the whole exercise of the film. A second scene also sees Madonna admit that ex-husband Sean Penn was the love of her life, a clip that Keshishian had to fight Madonna to include.

Her second documentary, I'm Going to Tell You a Secret (2005), followed Madonna and her family on the Re-Invention World Tour in 2004. Directed by long-time collaborator Jonas Åkerlund, it premiered commercial free on MTV in the US on October 21, 2005. Like her previous effort, the film includes behind the scenes footage as well as live performances, and was released on DVD June 20, 2006 with a bonus audio CD.

Madonna is currently editing a documentary she worked on with her husband, Guy Ritchie. The film is based on the orphans and AIDS epidemic in Africa.

Short films

In 2001, Madonna starred in BMW's short film The Hire: Star from the series The Hire as part of a BMW marketing campaign. The short film, directed by husband Guy Ritchie, featured Madonna as an arrogant rock star. Madonna starred opposite Clive Owen, Michael Beattie, and Toru Tanaka Jr.

Books

Madonna has authored and co-authored a number of books, beginning in 1992 with Sex (ISBN 0-446-51732-1), which contained sexually explicit photographs of Madonna taken by noted photographer Steven Meisel. More recently, she has published several children's books, including The English Roses (ISBN 0-670-03678-1), Mr. Peabody's Apples (ISBN 0-670-05883-1), Lotsa de Casha (ISBN 0-670-05888-2), The Adventures of Abdi (ISBN 0-670-05889-0), Yakov and the Seven Thieves (ISBN 0-670-05887-4), and The English Roses Too Good To Be True (ISBN 0-670-06147-6).

Influences

Madonna's background as a Catholic has had great significance in her life and career. She has cited her parents and upbringing as the major influences in her life and career. Her mother's death profoundly affected her, and she later stated that, had her mother lived, she might not have felt such a strong need to prove herself. Madonna's father, Tony, is a conservative Italian Catholic who raised his family in an atmosphere of religious observance.

The name "Madonna" is very Catholic as it references The Virgin Mary, who, in Italy and in the Roman Catholic Church, is often referred to as "The Madonna". Given Madonna's rebellion against Catholic-based ideals of womanhood, some have found it ironic that she shares the same name as the ultimate symbol of the Catholic ideal of womanhood. Early in her career, many assumed that "Madonna" was a stage name that the singer had chosen for shock value.

In her music career, Madonna's Catholic background and relationship with her parents has been most strongly reflected in her 1989 album Like a Prayer. In Like a Prayer, Madonna moved away from the dance pop of her previous albums and toward more personal and reflective lyrics, featured songs directly related to her parents and her Catholic upbringing. The video for the title track contained overt Catholic symbolism, such as the stigmata. "Promise to Try" told of her sadness at the faded memory of her mother and her struggle to recall her, while "Oh Father" told of a strict and distant father who elicited fear in the singer as a child and defiance as she grew older. The video for "Oh Father" depicts Madonna in a confessional and her father kneeling and praying before a picture of his dead wife. The album ends with the track "Act of Contrition", which contains verses from the Catholic prayer of the same name.

Madonna has used the Catholic symbol of the crucifix throughout her career: as a fashion accessory in her early videos, in the church setting of her "Like a Prayer" video, and in the stage design of her "Confessions" tour. The rosary has also often been used in Madonna's career. In the early 1980s, she wore it around her neck as part of her performance costume. Later, in the music video for the song La Isla Bonita Madonna portrays a character who is praying the rosary.

Madonna's Italian heritage has occasionally been referenced in her work. The video to her first number one single, "Like a Virgin," was filmed in Venice, Italy, and features Madonna in iconic Venetian settings. The "Open Your Heart" video ends with Madonna dancing into the sunset with a young boy, while her elderly boss chases after her, yelling at her in Italian. In the "Papa Don't Preach" video, often described as partly autobiographical in content, her father is played by Italian American actor Danny Aiello, and Madonna wears a shirt with the slogan, "Italians Do It Better".[31] The video for her Who's That Girl? Tour, titled Ciao Italia: Madonna Live from Italy, was filmed mainly in Turin, Italy.[32] (In the Ciao Italia: Madonna Live from Italy video, Madonna performs the song Papa Don't Preach while a large portrait of the Pope appears on the screen behind her. Coincidentally, "Papa" is the Italian word for "Pope".[33]) In her 2005 documentary I'm Going To Tell You a Secret, she jokingly states that she has "big, fat, Italian thighs." In film, she achieved a rare good review for her portrayal of the Italian American character Mae Mordabato in A League of Their Own.[34]

While much of her career has seen rebellion against the Roman Catholic Church, Madonna had both of her children baptised in a Roman Catholic Church. As a result, Madonna has often offended many Catholics, including the head of the Catholic Church himself. In 1990, when Madonna toured Italy with the Blond Ambition Tour concert tour, the Pope encouraged citizens not to attend the concert,[35] and as a result, Madonna was forced to cancel two shows due to poor ticket sales. The Pope accused Madonna of blasphemy against the Catholic Church (a crime in Italy), and attempted to have Madonna banned from stepping foot on Italian soil. In response, in a 1990 press conference in Italy, Madonna declared, "I am Italian American and proud of it." In an interview with Rolling Stone magazine, Madonna said that the Pope's reaction hurt, "because I'm Italian, you know", but in another Rolling Stone interview the same year stated that she had ceased to practice Catholicism because the Church "completely frowns on sex... except for procreation".[36] In the summer of 2006, Madonna drew criticism from Vatican officials when she took her Confessions Tour to Rome. Vatican officials claimed that Madonna's performance while hanging off a cross while wearing a crown of thorns was an open attack on Catholicism and should not be performed in the same city as the pope's residence.[37] In the documentary Italians in America - Our Contribution, author Gay Talese relates Madonna's rebellion against the Catholic Church to her Italian ancestry. Talese claims that Madonna's paternal ancestors come from a region of Southern Italy with a long tradition of rebellion against the Catholic Church.[38]

In 1988, city officials in the town of Pacentro, Italy,[39] planned to construct a 13-foot statue of Madonna in a bustier. The statue was intended to commemorate the fact that some of Madonna's ancestors had lived in Pacentro. The mayor of the city and the Pope intervened and prevented the project from coming to fruition, citing concerns that a statue of Madonna in their city would corrupt the morals of their youth.

Musical influences

In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra and that it summed up her take-charge attitude.[40] As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Chopin because she liked his "feminine quality". In an interview with the Observer on October 29 2006, Madonna professed a love for fellow Detroit natives The Raconteurs and The White Stripes, as well as New York band The Jett Set. Madonna has also commented that she enjoys Frank Sinatra, ad especially likes to sing, "My Way" in the shower.

Film stars

During her childhood, Madonna became fascinated by films and film stars, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny...and I saw myself in them...my girlishness, my knowingness and my innocence".[41] Her "Material Girl" music video recreated Monroe's "Diamonds Are A Girl's Best Friend" number from the film Gentlemen Prefer Blondes, and she later studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the Who's That Girl? film. The video for "Express Yourself" placed a femme fatale character alongside an androgynous figure in male attire, which was compared to Marlene Dietrich. The video for "Vogue" recreated the style of Hollywood glamour photographers, in particular Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard and Rita Hayworth, while the lyrics referenced many of the stars who had inspired her.[42] Among those mentioned was Bette Davis, described by Madonna in a Rolling Stone interview as an idol, along with Louise Brooks and Dita Parlo.[43]

Personal life

Relationships and family

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In the late 1970s and early 1980s, Madonna had a relationship with Dan Gilroy who formed the Breakfast Club with her. During the first half of the '80s she also dated musician Stephen Bray (who later went on to co-produce notable songs "Into the Groove" and "Express Yourself"), painter and graffiti artist Jean-Michel Basquiat, DJ and record producer Mark Kamins and musician Jellybean Benitez, who produced the singer's debut album.

While filming the music video for "Material Girl" in 1985, Madonna began dating actor Sean Penn. The two were married later that year on Madonna's twenty-seventh birthday; the marriage ended four years later amidst allegations of abuse on Penn's part. Of her marriage to Penn, Madonna told Tatler, "I was completely obsessed with my career and not ready to be generous in any shape or form."[44]

After the divorce from Penn was made official in 1989, Madonna began a relationship with Warren Beatty while working on the film Dick Tracy. In late 1990, she dated briefly Lenny Kravitz[45] and Tony Ward,[46] a young model and porn star who had previously starred in her music videos for "Cherish" (1989) and "Justify My Love" (1990). In 1992,[46] Madonna had an eight-month relationship with rapper Vanilla Ice,[46] who appeared later in her erotic book Sex,[46] and, from 1992-1994[47] Madonna dated actor John Enos[48] and her bodyguard James Albright.[47] In 1994, she briefly dated Dennis Rodman for four months.[49]

In September 1994, while walking in Central Park, Madonna met Cuban fitness trainer Carlos Leon; he later became her personal trainer and lover. On October 14 1996, Madonna gave birth to the couple's child, a daughter, Lourdes Maria Ciccone Leon, called Lola.[50]

On August 11 2000, Madonna gave birth to a son, Rocco John Ritchie, with British director Guy Ritchie, whom she had met in 1999 through mutual friends Sting and his wife, Trudie Styler.[51] On December 22, 2000, Madonna and Ritchie were married in Scotland.

As of January 2007, she resides in Wiltshire, England with Ritchie and her children. Madonna, who refers to herself simply as "Mrs. Ritchie" on her personal letterhead, has undergone a transformation from Material Girl to family woman, as she told Tatler: "I don't need to drive around in flashy cars and I don't need to show off. I'm perfectly happy to go for walks every day for a month at my house in the countryside. That doesn't mean I can't have expensive tastes, like nice sheets on my bed, or enjoy architecture and pictures. But I do know what makes a healthy balance in life... a good marriage is a contest of generosity... Everyone needs to be stopped in their tracks by parenthood and marriage, otherwise you are just selfish satellites spinning in space."

David Banda adoption

On October 10, 2006, Madonna filed adoption papers for a Malawian baby boy named David Banda (renamed David Banda Mwale Ciccone Ritchie[52]), born September 24, 2005,[53] during her trip to an orphanage in Malawi.[54] After visas were obtained for the child, Banda was flown out of Malawi on October 16.[55] The adoption has raised public controversy about whether special treatment was given to Madonna because of her celebrity status, considering Malawian law normally requires one year of residence for adopting parents. [56] Other adoption rights groups have noted that Madonna did not cut in line to adopt Banda, pointing out that only three visas were issued in 2005 for adopted children to leave Malawi.

Madonna appeared on The Oprah Winfrey Show on October 25, 2006, to refute the allegations. During the half-hour interview, the singer claimed that there are no written adoption laws in Malawi that regulate foreign adoptions and that she had been planning to adopt for two years. She also claimed that David had been in critical condition and was suffering from severe pneumonia after surviving malaria and turberculosis when she had found him in the orphanage. She was given an interim order for 18 months to fly David to England where he would receive medical treatment for his pneumonia and would be periodically checked up by a London social worker. In addition, Madonna blamed the media for "doing a great disservice to all the orphans of Africa, period, not just the orphans of Malawi," by discouraging people to adopt children from African nations. She stated, "I wanted to go into a Third World country - I wasn't sure where - and give a life to a child who might not otherwise have had one." [4] Oprah lauded her for her efforts to adopt David.

On Sunday, October 22, 2006 it was reported that Yohane Banda, David Banda's birth father, didn't understand what adoption meant and that he didn't realize that he was giving up his son "for good." A few days later, after the Oprah interview, Yohane Banda said, "These so-called human rights activists are harassing me every day, threatening me that I am not aware of what I am doing." He is also reported to say, "They want me to support their court case, a thing I cannot do for I know what I agreed with Madonna and her husband."[5] On November 1, 2006, Madonna responded to Banda's comments on a NBC Dateline interview by saying that Yohane Banda knew what he was doing considering that he refused to accept her offer to financially support him and David if he wanted to support and raise David on his own. Instead, Yohane Banda apparently did the opposite and told Madonna to take care of the child. Madonna also said that if she believed that David was well looked after in the orphanage or had any relatives visiting him, then she would have never thought about adopting him.

Human rights groups, and other critics, are concerned because Madonna appears to have skirted the Malawi laws which has a residency requirement for prospective parents. They point to the 3 million dollar pledge that Madonna has promised through her Raising Malawi charity.[6] Critics are also concerned because fraudulent international adoptions are a lucrative business [7] and Malawi is a "Tier 2- Watch List"[8][9] nation. Madonna responded to these comments on the November 1st Dateline interview by arguing that there are no written laws that regulate any foreign adoptions and that the current laws are based on outdated tribal customs. In an interview with Time Magazine on November 5, 2006, Madonna said:

"And once the press got involved everyone said Oh God, now we better cross our t's and dot our i's to make sure we actually aren't jumping queues, because we're going to be scrutinized. So the process became extremely tedious and the court dates kept changing and we kept getting conflicting information. It became so difficult that every day I thought, 'Ok, forget it. We'll find a family here to look after him'...But it was one fucking thing after the next, everywhere we went. So the idea that people think I got a shortcut or an easy ride is absolutely ludicrous. I have never worked so hard for anything in my life, and I've never been given such a hard time. And my celebrity has worked against me in every way... And by the way, say I did cut the queue? Say I did cheat and not have to wait two years to adopt a child? Well good for me! Do you know how many children are going to die in the next two years? It's a stupid law. Change the law."

She says she has followed every legal procedure in order to adopt David. Because of David's deteriorating health and need for modern medical treatment, David couldn't remain in Malawi. Madonna was given an interim order for 18 months to be able to take care of David's health. Because of Malawi law, she remains a foster parent for the required 18 month period.

Gay community

Madonna has long been a gay icon. Many of her performances have incorporated aspects of "gay culture", perhaps the most famous example being her hit song Vogue. In the 1980s, a time before most celebrities felt comfortable lending their support to AIDS charities, Madonna was one of the first major artists to speak out about the need for money for AIDS research. In 2003, Madonna received much publicity for her on-stage kiss with Britney Spears and Christina Aguilera at the MTV Video Music Awards.

Kabbalah Centre

Since the late-1990s, Madonna has become a devotee of the Kabbalah Centre and a disciple of its controversial head Rabbi Philip Berg and his wife Karen. Madonna and husband Guy Ritchie attend Kabbalah classes and have been reported to have adopted a number of aspects of the movement associated with Judaism. The media has reported that Madonna has taken on the Biblical name of Esther, and has donated millions of dollars to Kabbalah Centres in London, New York, and Los Angeles. She no longer performs on Friday nights because this is the time when the Jewish Sabbath begins; wears a red string, and has visited Israel with members of the Kabbalah Centre to celebrate some of the Jewish holidays. She also studies personally with her own private-tutor, Rabbi Eitan Yardeni, whose wife Sarah Yardeni runs Madonna's favorite charitable project, "Spirituality for Kids," a subsidiary of the Kabbalah Centre.[57] Madonna reportedly donated 21 million dollars towards a new Kabbalah school for children.[58]

Controversy erupted again well before the release of her most recent album Confessions on a Dance Floor. Many Israeli rabbis condemned Madonna and the forthcoming song "Isaac" (tenth on its track listing) because they believed the song to be a tribute to Rabbi Isaac Luria, also known as Yitzhak Luria (1534-1572), one of the greatest Kabbalists of all time, and claimed that Jewish law forbids using a holy rabbi's name for profit. In interviews, Madonna had called this song: "The Binding of Isaac" and rumors spread that it was based on the major episode in the life of the Hebrew patriarch Isaac. Despite continued accusations that the song is about Isaac Luria, Madonna has repeatedly denied such accusations, claiming she could not think of a title for the song and, therefore, named it after Yitzhak (Isaac) Sinwani. In the song, Madonna sings with Sinwani, an Israeli singer, who is chanting a Yemenite Jewish song. Said Madonna: "The album isn't even out, so how could Jewish scholars in Israel know what my song is about? I don't know enough about Isaac Luria to write a song, though I've learned a bit in my studies."[59]

Madonna has openly defended her Kabbalah studies by stating, for example:

I wouldn't say studying Kabbalah for eight years goes under the category or falls under the category of being a fad or a trend. Now there might be people who are interested in it because they think it's trendy, but I can assure you that studying Kabbalah is actually a very challenging thing to do. It requires a lot of work, a lot of reading, a lot of time, a lot of commitment and a lot of discipline.[60]

Furthermore, Madonna said in a BBC interview that she believes Christianity is intolerant of questioning, whereas Kabbalah is not. Madonna has also defended Kabbalah against detractors who claim it is a cult designed to extort money from followers.

Political views

Madonna does not support United States President George W. Bush. She endorsed Wesley Clark's Democratic nomination for the 2004 United States presidential election in an impassioned letter to her fans, saying at the time that "the future I wish for my children is at risk."[61]

She also urged fans to see Michael Moore's Fahrenheit 9/11 .[62]

Diet and exercise

Madonna has stated that she doesn't eat dairy, and is on a Macrobiotic Diet, consisting primairly of whole grains, fish and fresh vegetables. [10] Furthermore, she has a personal Japanese chef who cooks for her. Additionally, she's said that she does Yoga and Pilates to stay in shape. [11]

Discography

Criticism

Despite her undeniable fame [63], success [64], iconic and superstar status and groundbreaking career achievements [65], it is noticeable that since the beginning of her career, Madonna has been the target of constant criticism, being always far away from any possible type of unanimity. Reviews about her body of work have generally been mixed and many music critics have constantly put her artistry in doubt.

Very common criticism against Madonna regards her singing voice and her vocal range, which some consider to be weak, limited and mannered, and what they see as her egocentrism, her publicity stunts and her tendence to generate controversy. Respected artists like Paul McCartney (during 2005's Live 8, when both McCartney and Madonna performed), Elvis Costello, who dismissed Madonna as being just a dancer and not a competent musician and Joni Mitchell (who once declared, She has knocked the importance of talent out of the arena. She's manufactured. She's made a lot of money and become the biggest star in the world by hiring the right people) [66], as well as other popular entertainers like Whitney Houston, Mariah Carey [67] and Janet Jackson once have openly expressed disapproval of her artistic abilities, disdain or criticism against her image and body of work.

Madonna's lyrics have also been frequently penned as simple or even dull (an example being indie music website Pitchforkmedia's review of Love Profusion, in which the reviewer stated that we also know she can't write lyrics, but lines like, "I know I feel bad when I get in a bad mood" are pretty ridiculous, even for a retard [68]). Examples of moments of her career in which Madonna has been more overtly criticised encompass her 1989 music video for "Like a Prayer", the publication of the book Sex and album Erotica in 1992, the American Life era in 2003, her 2006 performance of "Live to Tell" during her Confessions Tour, and her adoption of Malawian infant David Banda in 2006.

Madonna has recieved much criticism from animal rights groups for wearing fur coats[12][13] and in the past, was criticized for renting out her house for hunting parties[14].

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  64. ^ http://billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003154128
  65. ^ http://www.dailymail.co.uk/pages/live/articles/showbiz/showbiznews.html?in_article_id=407501&in_page_id=1773
  66. ^ http://64.233.161.104/search?q=cache:1p_PfTR0B3MJ:ilx.wh3rd.net/thread.php%3Fmsgid%3D3149323+joni+mitchell+on+madonna+die+another+day&hl=de&gl=us&ct=clnk&cd=9
  67. ^ http://www.perezhilton.com/topics/mariah_carey/a_few_things_we_dont_need_to_see_early_in_the_morning_20060824.php
  68. ^ http://pitchforkmedia.com/article/track_review/30177

See also


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