User:TUF-KAT/Folk music by country
This is a list of folk music traditions, with styles, dances, instruments and other related topics. The term folk music can not be easily defined in a precise manner; it is used with widely-varying definitions depending on the author, intended audience and context within a work. Similarly, the term traditions in this context does not connote any strictly-defined criteria. Music scholars, journalists, audiences, record industry individuals, politicians, nationalists and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious, tribal or ethnic lines, and all such peoples will likely use different criteria to decide what constitutes a "folk music tradition". This list uses the same general categories used by mainstream, primarily English-language, scholarly sources, as determined by relevant statements of fact and the internal structure of works. These traditions may coincide entirely, partially or not at all with geographic, political, linguistic or cultural boundaries. Very few, if any, music scholars would claim that there are any folk music traditions that can be considered specific to a distinct group of people and with characteristics undiluted by contact with the music of other peoples; thus, the folk music traditions described herein may overlap to some degree with each other.
Folk music traditions may be demarcated differently in various parts of the world; for example, geographic distinctions are predominantly used in African traditions, while European traditions are generally grouped along ethnic lines. In all cases, the traditions distinguished here are those used by mainstream English language sources.
Template
{{User:TUF-KAT/folkcountry |Country = |Styles = |Dance = |Instrumentation = |Peoples = |Geography = |Other = }}
Caribbean
Country | Elements | Dance | Instrumentation | Other topics
|
---|---|---|---|---|
{{{Tradition}}} | canción - guaracha - habanera - montuno - rumba - son [1] | chuchumbé - columbia - guaguancó - yambú - zapateo [2] | bongo - botija - claves - conga - güiro - guitar - laud - marimbula - quinto - tres [3] | cabildo - clave - comparsa [4]
|
{{{Tradition}}} | jaleo - merengue - merengue típico cibaeño - perico ripiao [5] | merengue [6] | cuatro - güiro - marimba - tambora [7] |
|
{{{Tradition}}} | carabinier - chica - gragement - méringue [8] |
| ||
{{{Tradition}}} | mento [9] | guitar [10] |
| |
{{{Tradition}}} | biguine [11] |
| ||
{{{Tradition}}} | bomba - plena [12] | bomba - bongo - conga - cowbell - güiro - maraca - pandereta - requinto - seguidora [13] |
| |
{{{Tradition}}} | papai benta [14] |
| ||
{{{Tradition}}} | belair - calypso - steelpan [15] | calinda [16] | steelpan [17] | camboulay [18]
|
Central Africa
Country | Elements | Dance | Instrumentation | Other topics
|
---|---|---|---|---|
{{{Tradition}}} | lullaby [19] | bow - flute - molimo - trumpet - whistle [20] | elima - molimo [21]
|
Central and Northern Asia
Country | Elements | Dance | Instrumentation | Other topics
|
---|---|---|---|---|
{{{Tradition}}} | Ashiq - tanbur [22] | balaban - daf - kemanche - tar - tulumzurna [23] | toi
| |
{{{Tradition}}} | akyn [24] | kui - dombra - qobuz - rubab - tanbur [25] | toi
| |
{{{Tradition}}} | kui - manaschi [26] | kiak - komuz - tanbur [27] | toi
| |
{{{Tradition}}} | bangnadyr - bogino-duu - borbannadir - chylandyk - duulah - epic song - ezengileer - ger - häälah - holboo - höömi - aman huur - kargiraa - long song - magtel - sigit - throat-singing - türleg - üliger - xöömi [28] | garuda [29] | dörvon chihtei huur - flute - huuchir - igil - ikil - Jew's harp - limbe - morin huur - pyzanchy - shanz - shöör - toshpulur [30] |
|
{{{Tradition}}} | falak [31] | dutar - gidjak - setar - tanbur [32] | toi
| |
{{{Tradition}}} | hua'er - lhamo - lu [33]</ref> | dramnyen - gyümang - lingbu - piwang[34] |
| |
{{{Tradition}}} | bakshy [35] | dutar - tanbur [36] | toi
| |
{{{Tradition}}} |
| |||
{{{Tradition}}} | doira - dombra - dutar - gidjak - rubab - tanbur [37] | toi
|
East Africa
Country | Elements | Dance | Instrumentation | Other topics
|
---|---|---|---|---|
{{{Tradition}}} | entenga - okunaga - okwawula [38] | akadinda - entenga - trumpet [39] |
| |
{{{Tradition}}} | kebero - krar [40] |
| ||
{{{Tradition}}} | panpipe [41] |
| ||
{{{Tradition}}} | ngoma [42] | ngoma [43] |
| |
{{{Tradition}}} | sega [44] | sega [45] | maravanne - ravanne - tambour [46] |
|
East Asia
Europe
Middle East and North Africa
Country | Elements | Dance | Instrumentation | Other topics
|
---|---|---|---|---|
{{{Tradition}}} | dabkah [126] |
| ||
{{{Tradition}}} | Afghan wedding music - kiliwali [127] | chub bazi - atan [128] | daireh - dhol - rubab - tanbur [129] | landai [130]
|
North America
Country | Elements | Dance | Instrumentation | Other topics
|
---|---|---|---|---|
{{{Tradition}}} | blues - field holler - gospel - shape-note - shout - spiritual - work song | shout [132] | fiddle [133] |
|
{{{Tradition}}} | Blue Ridge fiddling - lining out - shape note - string band [134] | autoharp - banjo - cello - dulcimer - fiddle - flute - guitar - mandolin[135] |
| |
{{{Tradition}}} | Cape Breton fiddling - milling song [136] | fiddle [137] |
| |
{{{Tradition}}} | conjunto - son huasteco [138] | mazurka - polka - redowa - schottische - waltz [139] | accordion - jarana - guitarra quinta [140] |
|
Oceania and Australia
South America
Country | Elements | Dance | Instrumentation | Other topics
|
---|---|---|---|---|
{{{Tradition}}} | payada - tango[170] | milonga - tango [171] | bandoneón - flute - harp - piano - violin [172] | candombé - compadrito - lunfardo [173]
|
{{{Tradition}}} | cajas - charango - kena - pinkillus - pitu - siku - tarkas [174] |
| ||
{{{Tradition}}} | choro - modinha - samba [175] | lundu - maxixe - samba [176] | agogó - atabaque - berimbau - cavquinho - cuícas - pandeiros - piano - reco-recos - surdos - tamborím - viola - violão [177] | Candomblé - Carnival [178]
|
{{{Tradition}}} | cumbia - paseo - puya - tambora - vallenato - vallenato merengue [179] | cumbia - currulao [180] | accordion - bombo - caja - gaita - guacharaca - guachos - marimba - pito - tambora[181] |
|
{{{Tradition}}} | currulao [182] | bombo - marimba [183] |
| |
{{{Tradition}}} | charango - harp - kena - violin [184] |
| ||
{{{Tradition}}} | akía [185] | rattle [186] |
|
South Asia
Country | Elements | Dance | Instrumentation | Other topics
|
---|---|---|---|---|
{{{Tradition}}} | panchai baja [187] | arbajo - barrel drum - Jew's harp - kettle drum - madal - sarangi - shawm [188] | gaine - damai [189]
| |
{{{Tradition}}} | caca - jogi - malasri [190] | barrel drum - dhimay baja - flute - nava dapha - naykhin - shawm [191] | bisket jatra [192] | |
{{{Tradition}}} | cantiga - kaffirinha - Kolam - Nadagam - Sokari [193] | baila [194] |
|
Southeast Asia
Southern Africa
Country | Elements | Dance | Instrumentation | Other topics
|
---|---|---|---|---|
{{{Tradition}}} | sega [218] | basese - salegy - sega - sigaoma - watsa watsa [219] | valiha [220] |
|
{{{Tradition}}} | hosho - karimba - matepe - mbira - ngoma - njari - panpipe [221] | bira - kushaura-kutsinhira [222]
| ||
{{{Tradition}}} | panpipe [223] |
| ||
{{{Tradition}}} | uhadi [224] |
| ||
{{{Tradition}}} | panpipe [225] |
|
West Africa
Country | Elements | Dance | Instrumentation | Other topics
|
---|---|---|---|---|
{{{Tradition}}} | litungo [226] |
| ||
{{{Tradition}}} | adaha - agbadza - akwete - ashiko - dagomba - gombe - konkomba - mainline - osibisaba - sikyi [227] | adowa [228] | atumpan - seprewa [229] |
|
{{{Tradition}}} | batuco - coladera - ferrinho - funana - gaita - morna [230] | batuco - funana [231] | cavaquinho - rabeca - violão - viola [232] |
|
{{{Tradition}}} | lunga [233] |
| ||
{{{Tradition}}} | takada [234] | Gadzo [235] | atsimevu - axatse - gankogui - gboba - kaganu - kidi - simevu - sogo [236] |
|
{{{Tradition}}} | goge [237] |
| ||
{{{Tradition}}} | nyatiti [238] |
| ||
{{{Tradition}}} | donkilo - kumbengo - sataro [239] | balo - kontingo - kora [240] | jali [241]
| |
{{{Tradition}}} | balafon - kora [242] | griot [243]
| ||
{{{Tradition}}} | halam [244] |
| ||
{{{Tradition}}} | dundun - igbin - sekere [245] |
|
References
- Broughton, Simon and Mark Ellingham (eds.) (2000). Rough Guide to World Music (First edition ed.). London: Rough Guides. ISBN 1858286360.
{{cite book}}
:|author=
has generic name (help);|edition=
has extra text (help) - Darden, Robert (2004). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0826414362.
- Fussell, Fred C. (2003). Blue Ridge Music Trails: Finding a Place in the Circle. North Carolina Folklife Institute. 080785459X.
- Manuel, Peter (1988). Popular Musics of the Non-Western World. New York: Oxford University Press. 0195053427.
- Ritchie, Fiona (2004). The NPR Curious Listener's Guide to Celtic Music. New York: Berkley Publishing Group. ISBN 039953071.
- Philip V. Bohlman (1997). Excursions in World Music (Second edition ed.). Prentice Hall. ISBN 0132306328.
{{cite book}}
:|edition=
has extra text (help); Unknown parameter|coauthors=
ignored (|author=
suggested) (help) - Nettl, Bruno (1965). Folk and Traditional Music of the Western Continents. Englewood Cliffs, New Jersey: Prentice Hall.
Notes
- ^ Manuel, Popular Musics, pgs. 28 - 29, 247; Turino, pg. 247
- ^ Manuel, Popular Musics, pgs. 28 - 29
- ^ Manuel, Popular Musics, pgs. 28 - 30, pg. 247; Turino, pg. 247
- ^ Manuel, Popular Musics, pgs. 28 - 29; Turino, pg. 247
- ^ Manuel, Popular Musics, pgs. 42 - 44
- ^ merengue: Manuel, Popular Musics, pg. 42
- ^ Manuel, Popular Musics, pgs. 42 - 43
- ^ Manuel, Popular Music, pg. 72
- ^ Manuel, Popular Musics, pg. 74
- ^ Manuel, Popular Musics, pg. 74
- ^ Manuel, Popular Musics, pg. 74
- ^ Manuel, Popular Musics, pg. 40
- ^ Manuel, Popular Musics, pgs. 40 - 41
- ^ Turino, pg. 245
- ^ Manuel, Popular Musics, pgs. 79 - 80
- ^ Manuel, Popular Musics, pg. 79
- ^ Manuel, Popular Musics, pg. 80
- ^ Manuel, Popular Musics, pg. 79
- ^ Turino, pg. 170
- ^ Turino, pgs. 170 - 171
- ^ Turino, pg. 170
- ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
- ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
- ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
- ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
- ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
- ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
- ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48; Pegg, Carole, "Sixty Horses in My Herd", in the Rough Guide to World Music, pgs. 189 - 197
- ^ Pegg, Carole, "Sixty Horses in My Herd", in the Rough Guide to World Music, pgs. 189 - 197
- ^ Pegg, Carole, "Sixty Horses in My Herd", in the Rough Guide to World Music, pgs. 189 - 197
- ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
- ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
- ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pgs. 44 - 48; Trewin, Mark, "Raising the Roof", in the Rough Guide to World Musics, pgs. 254 - 261
- ^ Trewin, Mark, "Raising the Roof", in the Rough Guide to World Musics, pgs. 254 - 261
- ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
- ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
- ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
- ^ Turino, pg. 179
- ^ Turino, pgs. 179, 182
- ^ Manuel, Popular Musics, pg. 103
- ^ Turino, pg. 183
- ^ Manuel, Popular Musics, pg. 102
- ^ Manuel, Popular Musics, pg. 102
- ^ Manuel, Popular Musics, pg. 112
- ^ Manuel, Popular Musics, pg. 112
- ^ Manuel, Popular Musics, pg. 112
- ^ Ying-fen, Wang, "From Innocence to Funny Rap", in the Rough Guide to World Music, pgs. 235 - 240
- ^ Ying-fen, Wang, "From Innocence to Funny Rap", in the Rough Guide to World Music, pgs. 235 - 240
- ^ Jones, Stephen, "The East Is Red... And White", in the Rough Guide to World Music, pgs. 33 - 43
- ^ Jones, Stephen, "The East Is Red... And White", in the Rough Guide to World Music, pgs. 33 - 43
- ^ Ying-fen, Wang, "From Innocence to Funny Rap", in the Rough Guide to World Music, pgs. 235 - 240
- ^ Ying-fen, Wang, "From Innocence to Funny Rap", in the Rough Guide to World Music, pgs. 235 - 240
- ^ Ying-fen, Wang, "From Innocence to Funny Rap", in the Rough Guide to World Music, pgs. 235 - 240
- ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
- ^ Clewley, John, "The Culture Blender", pgs. 143 - 159
- ^ Clewley, John, "The Culture Blender", pgs. 143 - 159
- ^ Clewley, John, "The Culture Blender", pgs. 143 - 159
- ^ Clewley, John, "The Culture Blender", pgs. 143 - 159
- ^ Hwang, Okon and Andy Kershaw, "Our Life Is Precisely a Song", in the Rough Guide to World Music, pgs. 160 - 169
- ^ Hwang, Okon and Andy Kershaw, "Our Life Is Precisely a Song", in the Rough Guide to World Music, pgs. 160 - 169
- ^ Hwang, Okon and Andy Kershaw, "Our Life Is Precisely a Song", in the Rough Guide to World Music, pgs. 160 - 169
- ^ Hwang, Okon and Andy Kershaw, "Our Life Is Precisely a Song", in the Rough Guide to World Music, pgs. 160 - 169
- ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
- ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
- ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
- ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
- ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
- ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
- ^ Clewley, John, "The Culture Blender", pgs. 143 - 159
- ^ Clewley, John, "The Culture Blender", pgs. 143 - 159
- ^ Clewley, John, "The Culture Blender", pgs. 143 - 159
- ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
- ^ Manuel, Popular Musics, pg. 121
- ^ Manuel, Popular Musics, pg. 121
- ^ Manuel, Popular Musics, pg. 121
- ^ Bohlman, pg. 210
- ^ Ritchie, pg. 48
- ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Nettl, Folk and Traditional Music, pgs. 53 - 75; Nettl notes that broadside ballads were primarily a form of popular music, but that many such ballads entered the folk repertoire.
- ^ Ritchie, pg. 73
- ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Ritchie, pgs. 49, 79
- ^ Ritchie, pg. 49
- ^ Ritchie, pgs. 49, 60
- ^ Ritchie, pg. 49
- ^ Ritchie, pg. 76
- ^ Ritchie, pg. 51
- ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Manuel, Popular Musics, pgs. 127 - 129
- ^ Manuel, Popular Musics, pgs. 130 - 131
- ^ Manuel, Popular Musics, pgs. 127, 129
- ^ Manuel, Popular Musics, pgs. 126 - 127, 132
- ^ Bohlman, pg. 199; Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Ritchie, pgs. 15, 32 - 33, 81
- ^ Ritchie, pgs. 17, 33, 75, 77
- ^ Ritchie, pgs. 16, 60, 67, 72, 74; Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Ritchie, pg. 80
- ^ Ritchie, pg. 43
- ^ Manuel, Popular Musics, pg. 139
- ^ Manuel, Popular Musics, pgs. 137 - 138
- ^ Bohlman, pg. 210; Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Manuel, Popular Musics, pg. 115
- ^ Manuel, Popular Musics, pg. 115
- ^ Manuel, Popular Musics, pg. 115
- ^ Manuel, Popular Musics, pg. 121, 165
- ^ Manuel, Popular Musics, pg. 165
- ^ Manuel, Popular Musics, pg. 121
- ^ Ritchie, pgs. 18, 38 - 39, 40 - 41, 62
- ^ Ritchie, pg. 71
- ^ Ritchie, pgs. 15 - 16, 41, 66, 72 - 73
- ^ Ritchie, pgs. 41, 80
- ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Bohlman, pg. 210; Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Manuel, Popular Musics, pg. 164
- ^ Manuel, Popular Musics, pgs. 163 - 165
- ^ Manuel, Popular Musics, pg. 163
- ^ Ritchie, pgs. 4, 44; Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Ritchie, pg. 71
- ^ Ritchie, pg. 45; Nettl, Folk and Traditional Music, pgs. 53 - 75
- ^ Ritchie, pg. 46
- ^ Manuel, Popular Musics, pg. 159
- ^ Manuel, Popular Musics, pg. 196; Doubleday, Veronica, "Red Light at the Crossroads" in the Rough Guide to World Music, pgs. 5 - 6
- ^ Doubleday, Veronica, "Red Light at the Crossroads" in the Rough Guide to World Music, pg. 6
- ^ Doubleday, Veronica, "Red Light at the Crossroads" in the Rough Guide to World Music, pg. 5
- ^ Doubleday, Veronica, "Red Light at the Crossroads" in the Rough Guide to World Music, pg. 4
- ^ Darden, pgs. 8, 43, 48, 57
- ^ Darden, pg. 45
- ^ Darden, pg. 48
- ^ Fussells, pg. 6 - 10
- ^ Fussell, pgs. 3, 8; Ritchie, pgs. 52, 57
- ^ Ritchie, pg. 54
- ^ Ritchie, pg. 54
- ^ Manuel, Popular Musics, pgs. 54 - 56
- ^ Manuel, Popular Musics, pg. 56
- ^ accordion: Manuel, Popular Musics, pgs. 54, 56
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Manuel, Popular Musics, pg. 239; Cooper, Mike, "Steel and Slide Hula Baloos", in the Rough Guide to World Music, pgs. 56 - 62
- ^ Manuel, Popular Musics, pg. 237; Cooper, Mike, "Steel and Slide Hula Baloos", in the Rough Guide to World Music, pgs. 56 - 62
- ^ Manuel, Popular Musics, pg. 239; Cooper, Mike, "Steel and Slide Hula Baloos", in the Rough Guide to World Music, pgs. 56 - 62
- ^ Breen, Marcus, "The Original Songlines" in the Rough Guide to World Music, pg. 8
- ^ Breen, Marcus, "The Original Songlines" in the Rough Guide to World Music, pg. 8
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Manuel, Popular Musics, pg. 242
- ^ Feld, Stephen, "Bamboo Boogie-Woogie", in the Rough Guide to World Music, pgs. 183 - 188
- ^ Feld, Stephen, "Bamboo Boogie-Woogie", in the Rough Guide to World Music, pgs. 183 - 188
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Feld, Stephen, "Bamboo Boogie-Woogie", in the Rough Guide to World Music, pgs. 183 - 188
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
- ^ Manuel, Popular Musics, pgs. 59 - 60;
- ^ Manuel, Popular Musics, pg. 60
- ^ Manuel, Popular Musics, pg. 61
- ^ Manuel, Popular Musics, pgs. 59 - 60
- ^ Turino, pgs. 239 - 240
- ^ Manuel, Popular Musics, pg. 64; Turino, pg. 246
- ^ Manuel, Popular Musics, pg. 64; Turino, pg. 246
- ^ Manuel, Popular Musics, pg. 64; Turino, pg. 245
- ^ Manuel, Popular Musics, pg. 64; Turino, pg. 246
- ^ Manuel, Popular Musics, pgs. 50 - 52
- ^ Turino, pg. 244; Manuel, Popular Musics, pg. 50
- ^ Manuel, Popular Musics, pgs. 50 - 52; Turino, pg. 244
- ^ Turino, pg. 244
- ^ Turino, pg. 244
- ^ Turino, pgs. 239 - 240, 242
- ^ Turino, gp. 243
- ^ Turino, pg. 243
- ^ Tingey, Carol, "The Hills Are Alive", in the Rough Guide to World Music, pgs. 196 - 202
- ^ Tingey, Carol, "The Hills Are Alive", in the Rough Guide to World Music, pgs. 196 - 202
- ^ Tingey, Carol, "The Hills Are Alive", in the Rough Guide to World Music, pgs. 196 - 202
- ^ Tingey, Carol, "The Hills Are Alive", in the Rough Guide to World Music, pgs. 196 - 202
- ^ Tingey, Carol, "The Hills Are Alive", in the Rough Guide to World Music, pgs. 196 - 202
- ^ Tingey, Carol, "The Hills Are Alive", in the Rough Guide to World Music, pgs. 196 - 202
- ^ Ganhewa, Lalith, "Sounds of Serendipity", in the Rough Guide to World Music, pgs. 230 - 234
- ^ Ganhewa, Lalith, "Sounds of Serendipity", in the Rough Guide to World Music, pgs. 230 - 234
- ^ Clewley, John, "Heavenly Dancers", in the Rough Guide to World Music, pgs. 20 - 23
- ^ Clewley, John, "Heavenly Dancers", in the Rough Guide to World Music, pgs. 20 - 23
- ^ Clewley, John, "Heavenly Dancers", in the Rough Guide to World Music, pgs. 20 - 23
- ^ Clewley, John, "Beyond Our Khaen", in the Rough Guide to World Music, pgs. 170 - 174
- ^ Munan, Heidi, "Music at the Crossroads", in the Rough Guide to World Music, pgs. 175 - 182
- ^ Manuel, Popular Musics, pgs. 207, 213
- ^ Manuel, Popular Musics, pg. 213; Bass, Colin, "No Risk - No Fun!", in the Rough Guides to World Music, pg. 131 - 142
- ^ Manuel, Popular Musics, pgs. 209, 213, 215; Bass, Colin, "No Risk - No Fun!", in the Rough Guides to World Music, pg. 131 - 142
- ^ Manuel, Popular Musics, pg. 210; Bass, Colin, "No Risk - No Fun!", in the Rough Guides to World Music, pg. 131 - 142
- ^ Clewley, John, "Songs for Living", in the Rough Guide to World Music, pgs. 241 - 253
- ^ Clewley, John, "Songs for Living", in the Rough Guide to World Music, pgs. 241 - 253
- ^ Clewley, John, "Songs for Living", in the Rough Guide to World Music, pgs. 241 - 253
- ^ Clewley, John, "Beyond Our Khaen", in the Rough Guide to World Music, pgs. 170 - 174; Clewley, John, "Songs for Living", in the Rough Guide to World Music, pgs. 241 - 253
- ^ Clewley, John, "Beyond Our Khaen", in the Rough Guide to World Music, pgs. 170 - 174
- ^ Munan, Heidi, "Music at the Crossroads", in the Rough Guide to World Music, pgs. 175 - 182
- ^ Munan, Heidi, "Music at the Crossroads", in the Rough Guide to World Music, pgs. 175 - 182
- ^ Munan, Heidi, "Music at the Crossroads", in the Rough Guide to World Music, pgs. 175 - 182
- ^ Munan, Heidi, "Music at the Crossroads", in the Rough Guide to World Music, pgs. 175 - 182
- ^ Clewley, John, "Songs for Living", in the Rough Guide to World Music, pgs. 241 - 253
- ^ Clewley, John, "Songs for Living", in the Rough Guide to World Music, pgs. 241 - 253
- ^ Clewley, John, "Songs for Living", in the Rough Guide to World Music, pgs. 241 - 253
- ^ Blackburn, Philip, "Ancient Rock Music", in the Rough Guide to World Music, pgs. 262 - 269 Blackburn notes that nhac dan toc cai bien is a form of "modernised folk music (that) has only been traditional since 1956, when the [[Hanoi Conservatory of Music was founded and the teaching of folk music was deliberately "improved" (quotes in original)
- ^ Manuel, Popular Musics, pg. 200; Blackburn, Philip, "Ancient Rock Music", in the Rough Guide to World Music, pgs. 262 - 269
- ^ Manuel, Popular Musics, pg. 112
- ^ Manuel, Popular Musics, pgs. 111 - 112
- ^ Manuel, Popular Musics, pg. 111
- ^ Turino, pgs. 105, 162, 182 - 183
- ^ Turino, pgs. 162, 166
- ^ Turino, pg. 183
- ^ Manuel, Popular Musics, pg. 107
- ^ Turino, pg. 183
- ^ Manuel, Popular Musics, pg. 101
- ^ Manuel, Popular Musics, pgs. 90, 92
- ^ Manuel, Popular Musics, pg. 92
- ^ Turino, pgs. 90, 182
- ^ Manuel, Popular Musics, pg. 96
- ^ Manuel, Popular Musics, pg. 96
- ^ Manuel, Popular Musics, pg. 96
- ^ Turino, pg. 182
- ^ Turino, pg. 178
- ^ Turino, pg. 178
- ^ Turino, pg. 178
- ^ Turino, pg. 184
- ^ Manuel, Popular Musics, pg. 101
- ^ Turino, pgs. 172 - 173
- ^ Turino, pg. 172
- ^ Turino, pg. 172
- ^ Manuel, Popular Musics, pg. 95
- ^ Manuel, Popular Musics, pg. 95
- ^ Turino, pg. 183
- ^ Turino, pgs. 181 - 182