User:TUF-KAT/Folk music by country

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This is a list of folk music traditions, with styles, dances, instruments and other related topics. The term folk music can not be easily defined in a precise manner; it is used with widely-varying definitions depending on the author, intended audience and context within a work. Similarly, the term traditions in this context does not connote any strictly-defined criteria. Music scholars, journalists, audiences, record industry individuals, politicians, nationalists and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious, tribal or ethnic lines, and all such peoples will likely use different criteria to decide what constitutes a "folk music tradition". This list uses the same general categories used by mainstream, primarily English-language, scholarly sources, as determined by relevant statements of fact and the internal structure of works. These traditions may coincide entirely, partially or not at all with geographic, political, linguistic or cultural boundaries. Very few, if any, music scholars would claim that there are any folk music traditions that can be considered specific to a distinct group of people and with characteristics undiluted by contact with the music of other peoples; thus, the folk music traditions described herein may overlap to some degree with each other.

Folk music traditions may be demarcated differently in various parts of the world; for example, geographic distinctions are predominantly used in African traditions, while European traditions are generally grouped along ethnic lines. In all cases, the traditions distinguished here are those used by mainstream English language sources.

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{{User:TUF-KAT/folkcountry |Country = |Styles = |Dance = |Instrumentation = |Peoples = |Geography = |Other = }}

Caribbean

Country Elements Dance Instrumentation Other topics


{{{Tradition}}} canción - guaracha - habanera - montuno - rumba - son [1] chuchumbé - columbia - guaguancó - yambú - zapateo [2] bongo - botija - claves - conga - güiro - guitar - laud - marimbula - quinto - tres [3] cabildo - clave - comparsa [4]


{{{Tradition}}} jaleo - merengue - merengue típico cibaeño - perico ripiao [5] merengue [6] cuatro - güiro - marimba - tambora [7]


{{{Tradition}}} carabinier - chica - gragement - méringue [8]


{{{Tradition}}} mento [9] guitar [10]


{{{Tradition}}} biguine [11]


{{{Tradition}}} bomba - plena [12] bomba - bongo - conga - cowbell - güiro - maraca - pandereta - requinto - seguidora [13]


{{{Tradition}}} papai benta [14]


{{{Tradition}}} belair - calypso - steelpan [15] calinda [16] steelpan [17] camboulay [18]



Central Africa

Country Elements Dance Instrumentation Other topics


{{{Tradition}}} lullaby [19] bow - flute - molimo - trumpet - whistle [20] elima - molimo [21]



Central and Northern Asia

Country Elements Dance Instrumentation Other topics


{{{Tradition}}} Ashiq - tanbur [22] balaban - daf - kemanche - tar - tulumzurna [23] toi


{{{Tradition}}} akyn [24] kui - dombra - qobuz - rubab - tanbur [25] toi


{{{Tradition}}} kui - manaschi [26] kiak - komuz - tanbur [27] toi


{{{Tradition}}} bangnadyr - bogino-duu - borbannadir - chylandyk - duulah - epic song - ezengileer - ger - häälah - holboo - höömi - aman huur - kargiraa - long song - magtel - sigit - throat-singing - türleg - üliger - xöömi [28] garuda [29] dörvon chihtei huur - flute - huuchir - igil - ikil - Jew's harp - limbe - morin huur - pyzanchy - shanz - shöör - toshpulur [30]


{{{Tradition}}} falak [31] dutar - gidjak - setar - tanbur [32] toi


{{{Tradition}}} hua'er - lhamo - lu [33]</ref> dramnyen - gyümang - lingbu - piwang[34]


{{{Tradition}}} bakshy [35] dutar - tanbur [36] toi


{{{Tradition}}}


{{{Tradition}}} doira - dombra - dutar - gidjak - rubab - tanbur [37] toi



East Africa

Country Elements Dance Instrumentation Other topics


{{{Tradition}}} entenga - okunaga - okwawula [38] akadinda - entenga - trumpet [39]


{{{Tradition}}} kebero - krar [40]


{{{Tradition}}} panpipe [41]


{{{Tradition}}} ngoma [42] ngoma [43]


{{{Tradition}}} sega [44] sega [45] maravanne - ravanne - tambour [46]



East Asia

Country Elements Dance Instrumentation Other topics


{{{Tradition}}} bayin - gezaixi - shan'ge - tea-picking opera [47] suona [48]


{{{Tradition}}} chuiguishou - funereal music - hua'er - Jingyan dagu - Nanguan ballad - pingtan - sheng-guan - sizhu - wedding music - Xi'an drum music Cite error: A <ref> tag is missing the closing </ref> (see the help page). yangge [49] dizi - erhu - erxian - gaohu - guanzi - pipa - qin - sanxian - shawm - sheng - suona - xiao - yangqin - yunluo - zheng [50]


{{{Tradition}}} beiguan - budaixi - gezaixi - nanguan [51] dongxiao - erxian - pipa - sanxian - suona - yueqin [52] quguan [53]


{{{Tradition}}} hua'er [54]


{{{Tradition}}} gagaku - jigoe - kobushi - min'yo - nogaku - yuri [55] bon odori [56] biwa - fue - koto - shakuhachi - shamisen [57] iemoto - matsuri [58]


{{{Tradition}}} chapka - min'yo - nongak - p'ansori - sanjo [59] sinawi [60] ajaeng - changgo - ching - haegum - kayagum - kkwaenggwari - komun'go - p'iri - puk [61] kyemonyonjo [62]


{{{Tradition}}} pole dance [63] xylophone [64]


{{{Tradition}}} lusheng [65] flute - Jew's harp - mouth organ [66]


{{{Tradition}}} Baisha Xiyue - Dongjing music [67] jizi - juelie - lengnong - qiben - suona [68]


{{{Tradition}}} katcharsee - shima uta - umui [69] zatsu odori [70] sanshin - yonshin[71]


{{{Tradition}}} hua'er [72]



Europe

Country Elements Dance Instrumentation Other topics


{{{Tradition}}} flamenco - sevillana [73] sevillana [74] juerga [75]


{{{Tradition}}} grazer [76]


{{{Tradition}}}


{{{Tradition}}}


{{{Tradition}}}


{{{Tradition}}} troyll [77]


{{{Tradition}}} Seven Sault [78]


{{{Tradition}}} broadside ballad - Child ballad [79] concertina [80] [[ballad] meter]] [81]


{{{Tradition}}} tallharpa [82]


{{{Tradition}}} Faeroe two-step [83]


{{{Tradition}}} tallharpa [84]


{{{Tradition}}} couples de sonneurs - gwerz - kan ha diskan [85] an dros - dans plinn - fisel - gavotten - rond [86] binou - bombarde - harp[87] festou noz [88]


{{{Tradition}}} muiñeira [89] gaita [90]


{{{Tradition}}} German ballad - yodeling [91] alphorn [92]


{{{Tradition}}} amané - rebetiko - taxim [93] çifte telli - karsilama - khasapiko - zebekiko [94] baglamas - bouzouki - outi - santouri [95] demotiki - dromoi - manges - rebetes [96]


{{{Tradition}}} parlando-rubato - tempo- giusto [97]


{{{Tradition}}} organum [98]


{{{Tradition}}} bard - caoineadh - diddling - harp music - sean nós [99] céilidh - hornpipe - jig - polka - reel - slide - step dance - strathspey [100] bodhrán - fiddle - flute - harp - uilleann pipe [101] conyach [102]


{{{Tradition}}} Carvalyn Gailckagh [103]


{{{Tradition}}} accordion - clarinet - dzumbus - tupan - zurla [104] narodna muzika - nove narodne pesme novokomponirana [105]


{{{Tradition}}} Hardanger fiddle [106]


{{{Tradition}}} castiço - fado [107] guitarra - viola [108] saudade [109]


{{{Tradition}}} bulerías - cantes - fandango - flamenco - siguiriyas - soleares - taksim - tientos - tangos [110] clarinet - djumbus - dombak - kanun - ney - ud - violin [111] juerga [112]


{{{Tradition}}} Border ballad - bothy ballad - ceol mor - muckle sang - puirt-a-beul - Scottish work song - waulking song[113] hornpipe - jig - minuet - reel - strathspey [114] accordion - bagpipe - concertina - fiddle - flute - harp - tin whistle [115] conyach - Feisean [116]


{{{Tradition}}} polska [117] dulcimer - hummel [118]


{{{Tradition}}} türkü - uzun hava [119] duduk - klemence - ney - saz - zurna [120] Huseni [121]


{{{Tradition}}} pennillion - Welsh choral music [122] hornpipe [123] crwth - pibcorn [124] eisteddfod [125]



Middle East and North Africa

Country Elements Dance Instrumentation Other topics


{{{Tradition}}} dabkah [126]


{{{Tradition}}} Afghan wedding music - kiliwali [127] chub bazi - atan [128] daireh - dhol - rubab - tanbur [129] landai [130]



North America

Country Elements Dance Instrumentation Other topics


{{{Tradition}}} blues - field holler - gospel - shape-note - shout - spiritual - work song

[131]

shout [132] fiddle [133]


{{{Tradition}}} Blue Ridge fiddling - lining out - shape note - string band [134] autoharp - banjo - cello - dulcimer - fiddle - flute - guitar - mandolin[135]


{{{Tradition}}} Cape Breton fiddling - milling song [136] fiddle [137]


{{{Tradition}}} conjunto - son huasteco [138] mazurka - polka - redowa - schottische - waltz [139] accordion - jarana - guitarra quinta [140]



Oceania and Australia

Country Elements Dance Instrumentation Other topics


{{{Tradition}}} imene metua - imene tuki [141] koauau - paatere - purerehua [142]


{{{Tradition}}} kauaha - upaupa [143]


{{{Tradition}}} meke i wau - meke iri - meke wesi - seasea - vakamalolo [144] derua - slit drum [145]


{{{Tradition}}} hula - mele [146] hula [147] 'ipu - pahu [148]


{{{Tradition}}} didgeridoo [149] songline [150]


{{{Tradition}}} haka - poi [151]


{{{Tradition}}} haka puaka [152]


{{{Tradition}}} Jebua [153]


{{{Tradition}}} string band [154] garamut - kundu - rattle - sepik - slit drum - susap [155] haus tambaran - singsing [156]


{{{Tradition}}} hiva usu [157] fa'ataupati - ma'ulu'ulu - sasa - siva Samoa [158] lali - logo - nafa - pandanus - pate [159] ali'i - fiafia - tulafale [160]


{{{Tradition}}} panpipe [161]


{{{Tradition}}} himene tarava [162] 'aparima - 'ote'a [163] slit drum [164]


{{{Tradition}}} action-song - hiva kakala - kava papalangi [165] lakalaka - me'etu'upaki - 'otuhaka - ula [166] conch - lali - nose-flute - tapa [167] faikava - fiafia [168]


{{{Tradition}}} fatele [169]



South America

Country Elements Dance Instrumentation Other topics


{{{Tradition}}} payada - tango[170] milonga - tango [171] bandoneón - flute - harp - piano - violin [172] candombé - compadrito - lunfardo [173]


{{{Tradition}}} cajas - charango - kena - pinkillus - pitu - siku - tarkas [174]


{{{Tradition}}} choro - modinha - samba [175] lundu - maxixe - samba [176] agogó - atabaque - berimbau - cavquinho - cuícas - pandeiros - piano - reco-recos - surdos - tamborím - viola - violão [177] Candomblé - Carnival [178]


{{{Tradition}}} cumbia - paseo - puya - tambora - vallenato - vallenato merengue [179] cumbia - currulao [180] accordion - bombo - caja - gaita - guacharaca - guachos - marimba - pito - tambora[181]


{{{Tradition}}} currulao [182] bombo - marimba [183]


{{{Tradition}}} charango - harp - kena - violin [184]


{{{Tradition}}} akía [185] rattle [186]



South Asia

Country Elements Dance Instrumentation Other topics


{{{Tradition}}} panchai baja [187] arbajo - barrel drum - Jew's harp - kettle drum - madal - sarangi - shawm [188] gaine - damai [189]


{{{Tradition}}} caca - jogi - malasri [190] barrel drum - dhimay baja - flute - nava dapha - naykhin - shawm [191] bisket jatra [192]
{{{Tradition}}} cantiga - kaffirinha - Kolam - Nadagam - Sokari [193] baila [194]



Southeast Asia

Country Elements Dance Instrumentation Other topics


{{{Tradition}}} ayai - kam nap - pleing kar [195] ramvong [196] tro [197]


{{{Tradition}}} gaeng [198]


{{{Tradition}}} gong [199]


{{{Tradition}}} ketuk tilu - kroncong - langgam jawa [200] ronggeng - tapanuli ogong - [201] cello - celumpung - flute - guitar - kecrek - kempul - kendhang - ketuk - kroncong - pelog - rebab - ronggeng - violin [202] komedi stambul - pelog [203]


{{{Tradition}}} flute - gong - xylophone - zither [204]


{{{Tradition}}} jariang - cho-kantrum - ruem-trosh [205] ching - krab - tro [206]


{{{Tradition}}} lam luang - lam phi fa - lam pun - lam tan san - lam tan yao - lam toei - mor khaen - mor lam - mor lam dio - mor lam mu - mor lam pee fah - sarup - soeng - tet lae - wai khru [207] ching - khaen - khui - phin - ranat - so [208]


{{{Tradition}}} bamboo band [209]


{{{Tradition}}} asi - ronggeng - Zikir Barat [210] accordion - gambus - gong - joget - violin - zapin [211]


{{{Tradition}}} keluré - sapé [212]


{{{Tradition}}} bong lang - lam tad - likay - nang taloon - pii klong - pleng choi [213] fon [214] Ngan Wat [215]


{{{Tradition}}} ca tru - hat - hat chau van - hat cheo - hat noi - hat tuong - gui thu - nhac dan toc cai bien - nhac tai tu - quan ho - roi nuoc [216] bao - da - day - ken - k'longput - luc huyen cam - nguyet - nhi - sinh tien - song lang - tranh - trong com - t'rung - ty ba [217]



Southern Africa

Country Elements Dance Instrumentation Other topics


{{{Tradition}}} sega [218] basese - salegy - sega - sigaoma - watsa watsa [219] valiha [220]


{{{Tradition}}} hosho - karimba - matepe - mbira - ngoma - njari - panpipe [221] bira - kushaura-kutsinhira [222]


{{{Tradition}}} panpipe [223]


{{{Tradition}}} uhadi [224]


{{{Tradition}}} panpipe [225]



West Africa

Country Elements Dance Instrumentation Other topics


{{{Tradition}}} litungo [226]


{{{Tradition}}} adaha - agbadza - akwete - ashiko - dagomba - gombe - konkomba - mainline - osibisaba - sikyi [227] adowa [228] atumpan - seprewa [229]


{{{Tradition}}} batuco - coladera - ferrinho - funana - gaita - morna [230] batuco - funana [231] cavaquinho - rabeca - violão - viola [232]


{{{Tradition}}} lunga [233]


{{{Tradition}}} takada [234] Gadzo [235] atsimevu - axatse - gankogui - gboba - kaganu - kidi - simevu - sogo [236]


{{{Tradition}}} goge [237]


{{{Tradition}}} nyatiti [238]


{{{Tradition}}} donkilo - kumbengo - sataro [239] balo - kontingo - kora [240] jali [241]


{{{Tradition}}} balafon - kora [242] griot [243]


{{{Tradition}}} halam [244]


{{{Tradition}}} dundun - igbin - sekere [245]



References

  • Broughton, Simon and Mark Ellingham (eds.) (2000). Rough Guide to World Music (First edition ed.). London: Rough Guides. ISBN 1858286360. {{cite book}}: |author= has generic name (help); |edition= has extra text (help)
  • Darden, Robert (2004). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0826414362.
  • Fussell, Fred C. (2003). Blue Ridge Music Trails: Finding a Place in the Circle. North Carolina Folklife Institute. 080785459X.
  • Manuel, Peter (1988). Popular Musics of the Non-Western World. New York: Oxford University Press. 0195053427.
  • Ritchie, Fiona (2004). The NPR Curious Listener's Guide to Celtic Music. New York: Berkley Publishing Group. ISBN 039953071.
  • Philip V. Bohlman (1997). Excursions in World Music (Second edition ed.). Prentice Hall. ISBN 0132306328. {{cite book}}: |edition= has extra text (help); Unknown parameter |coauthors= ignored (|author= suggested) (help)
  • Nettl, Bruno (1965). Folk and Traditional Music of the Western Continents. Englewood Cliffs, New Jersey: Prentice Hall.

Notes

  1. ^ Manuel, Popular Musics, pgs. 28 - 29, 247; Turino, pg. 247
  2. ^ Manuel, Popular Musics, pgs. 28 - 29
  3. ^ Manuel, Popular Musics, pgs. 28 - 30, pg. 247; Turino, pg. 247
  4. ^ Manuel, Popular Musics, pgs. 28 - 29; Turino, pg. 247
  5. ^ Manuel, Popular Musics, pgs. 42 - 44
  6. ^ merengue: Manuel, Popular Musics, pg. 42
  7. ^ Manuel, Popular Musics, pgs. 42 - 43
  8. ^ Manuel, Popular Music, pg. 72
  9. ^ Manuel, Popular Musics, pg. 74
  10. ^ Manuel, Popular Musics, pg. 74
  11. ^ Manuel, Popular Musics, pg. 74
  12. ^ Manuel, Popular Musics, pg. 40
  13. ^ Manuel, Popular Musics, pgs. 40 - 41
  14. ^ Turino, pg. 245
  15. ^ Manuel, Popular Musics, pgs. 79 - 80
  16. ^ Manuel, Popular Musics, pg. 79
  17. ^ Manuel, Popular Musics, pg. 80
  18. ^ Manuel, Popular Musics, pg. 79
  19. ^ Turino, pg. 170
  20. ^ Turino, pgs. 170 - 171
  21. ^ Turino, pg. 170
  22. ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
  23. ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
  24. ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
  25. ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
  26. ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
  27. ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
  28. ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48; Pegg, Carole, "Sixty Horses in My Herd", in the Rough Guide to World Music, pgs. 189 - 197
  29. ^ Pegg, Carole, "Sixty Horses in My Herd", in the Rough Guide to World Music, pgs. 189 - 197
  30. ^ Pegg, Carole, "Sixty Horses in My Herd", in the Rough Guide to World Music, pgs. 189 - 197
  31. ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
  32. ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
  33. ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pgs. 44 - 48; Trewin, Mark, "Raising the Roof", in the Rough Guide to World Musics, pgs. 254 - 261
  34. ^ Trewin, Mark, "Raising the Roof", in the Rough Guide to World Musics, pgs. 254 - 261
  35. ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
  36. ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
  37. ^ Sultanova, Razia and Simon Broughton, "Bards of the Golden Road", in the Rough Guide to World Music
  38. ^ Turino, pg. 179
  39. ^ Turino, pgs. 179, 182
  40. ^ Manuel, Popular Musics, pg. 103
  41. ^ Turino, pg. 183
  42. ^ Manuel, Popular Musics, pg. 102
  43. ^ Manuel, Popular Musics, pg. 102
  44. ^ Manuel, Popular Musics, pg. 112
  45. ^ Manuel, Popular Musics, pg. 112
  46. ^ Manuel, Popular Musics, pg. 112
  47. ^ Ying-fen, Wang, "From Innocence to Funny Rap", in the Rough Guide to World Music, pgs. 235 - 240
  48. ^ Ying-fen, Wang, "From Innocence to Funny Rap", in the Rough Guide to World Music, pgs. 235 - 240
  49. ^ Jones, Stephen, "The East Is Red... And White", in the Rough Guide to World Music, pgs. 33 - 43
  50. ^ Jones, Stephen, "The East Is Red... And White", in the Rough Guide to World Music, pgs. 33 - 43
  51. ^ Ying-fen, Wang, "From Innocence to Funny Rap", in the Rough Guide to World Music, pgs. 235 - 240
  52. ^ Ying-fen, Wang, "From Innocence to Funny Rap", in the Rough Guide to World Music, pgs. 235 - 240
  53. ^ Ying-fen, Wang, "From Innocence to Funny Rap", in the Rough Guide to World Music, pgs. 235 - 240
  54. ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
  55. ^ Clewley, John, "The Culture Blender", pgs. 143 - 159
  56. ^ Clewley, John, "The Culture Blender", pgs. 143 - 159
  57. ^ Clewley, John, "The Culture Blender", pgs. 143 - 159
  58. ^ Clewley, John, "The Culture Blender", pgs. 143 - 159
  59. ^ Hwang, Okon and Andy Kershaw, "Our Life Is Precisely a Song", in the Rough Guide to World Music, pgs. 160 - 169
  60. ^ Hwang, Okon and Andy Kershaw, "Our Life Is Precisely a Song", in the Rough Guide to World Music, pgs. 160 - 169
  61. ^ Hwang, Okon and Andy Kershaw, "Our Life Is Precisely a Song", in the Rough Guide to World Music, pgs. 160 - 169
  62. ^ Hwang, Okon and Andy Kershaw, "Our Life Is Precisely a Song", in the Rough Guide to World Music, pgs. 160 - 169
  63. ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
  64. ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
  65. ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
  66. ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
  67. ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
  68. ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
  69. ^ Clewley, John, "The Culture Blender", pgs. 143 - 159
  70. ^ Clewley, John, "The Culture Blender", pgs. 143 - 159
  71. ^ Clewley, John, "The Culture Blender", pgs. 143 - 159
  72. ^ Rees, Helen, with Zhang Xingrong and Li Wei, "Sounds of the Frontiers", in the Rough Guide to World Musics, pg. 44 - 48
  73. ^ Manuel, Popular Musics, pg. 121
  74. ^ Manuel, Popular Musics, pg. 121
  75. ^ Manuel, Popular Musics, pg. 121
  76. ^ Bohlman, pg. 210
  77. ^ Ritchie, pg. 48
  78. ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
  79. ^ Nettl, Folk and Traditional Music, pgs. 53 - 75; Nettl notes that broadside ballads were primarily a form of popular music, but that many such ballads entered the folk repertoire.
  80. ^ Ritchie, pg. 73
  81. ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
  82. ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
  83. ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
  84. ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
  85. ^ Ritchie, pgs. 49, 79
  86. ^ Ritchie, pg. 49
  87. ^ Ritchie, pgs. 49, 60
  88. ^ Ritchie, pg. 49
  89. ^ Ritchie, pg. 76
  90. ^ Ritchie, pg. 51
  91. ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
  92. ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
  93. ^ Manuel, Popular Musics, pgs. 127 - 129
  94. ^ Manuel, Popular Musics, pgs. 130 - 131
  95. ^ Manuel, Popular Musics, pgs. 127, 129
  96. ^ Manuel, Popular Musics, pgs. 126 - 127, 132
  97. ^ Bohlman, pg. 199; Nettl, Folk and Traditional Music, pgs. 53 - 75
  98. ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
  99. ^ Ritchie, pgs. 15, 32 - 33, 81
  100. ^ Ritchie, pgs. 17, 33, 75, 77
  101. ^ Ritchie, pgs. 16, 60, 67, 72, 74; Nettl, Folk and Traditional Music, pgs. 53 - 75
  102. ^ Ritchie, pg. 80
  103. ^ Ritchie, pg. 43
  104. ^ Manuel, Popular Musics, pg. 139
  105. ^ Manuel, Popular Musics, pgs. 137 - 138
  106. ^ Bohlman, pg. 210; Nettl, Folk and Traditional Music, pgs. 53 - 75
  107. ^ Manuel, Popular Musics, pg. 115
  108. ^ Manuel, Popular Musics, pg. 115
  109. ^ Manuel, Popular Musics, pg. 115
  110. ^ Manuel, Popular Musics, pg. 121, 165
  111. ^ Manuel, Popular Musics, pg. 165
  112. ^ Manuel, Popular Musics, pg. 121
  113. ^ Ritchie, pgs. 18, 38 - 39, 40 - 41, 62
  114. ^ Ritchie, pg. 71
  115. ^ Ritchie, pgs. 15 - 16, 41, 66, 72 - 73
  116. ^ Ritchie, pgs. 41, 80
  117. ^ Nettl, Folk and Traditional Music, pgs. 53 - 75
  118. ^ Bohlman, pg. 210; Nettl, Folk and Traditional Music, pgs. 53 - 75
  119. ^ Manuel, Popular Musics, pg. 164
  120. ^ Manuel, Popular Musics, pgs. 163 - 165
  121. ^ Manuel, Popular Musics, pg. 163
  122. ^ Ritchie, pgs. 4, 44; Nettl, Folk and Traditional Music, pgs. 53 - 75
  123. ^ Ritchie, pg. 71
  124. ^ Ritchie, pg. 45; Nettl, Folk and Traditional Music, pgs. 53 - 75
  125. ^ Ritchie, pg. 46
  126. ^ Manuel, Popular Musics, pg. 159
  127. ^ Manuel, Popular Musics, pg. 196; Doubleday, Veronica, "Red Light at the Crossroads" in the Rough Guide to World Music, pgs. 5 - 6
  128. ^ Doubleday, Veronica, "Red Light at the Crossroads" in the Rough Guide to World Music, pg. 6
  129. ^ Doubleday, Veronica, "Red Light at the Crossroads" in the Rough Guide to World Music, pg. 5
  130. ^ Doubleday, Veronica, "Red Light at the Crossroads" in the Rough Guide to World Music, pg. 4
  131. ^ Darden, pgs. 8, 43, 48, 57
  132. ^ Darden, pg. 45
  133. ^ Darden, pg. 48
  134. ^ Fussells, pg. 6 - 10
  135. ^ Fussell, pgs. 3, 8; Ritchie, pgs. 52, 57
  136. ^ Ritchie, pg. 54
  137. ^ Ritchie, pg. 54
  138. ^ Manuel, Popular Musics, pgs. 54 - 56
  139. ^ Manuel, Popular Musics, pg. 56
  140. ^ accordion: Manuel, Popular Musics, pgs. 54, 56
  141. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  142. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  143. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  144. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  145. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  146. ^ Manuel, Popular Musics, pg. 239; Cooper, Mike, "Steel and Slide Hula Baloos", in the Rough Guide to World Music, pgs. 56 - 62
  147. ^ Manuel, Popular Musics, pg. 237; Cooper, Mike, "Steel and Slide Hula Baloos", in the Rough Guide to World Music, pgs. 56 - 62
  148. ^ Manuel, Popular Musics, pg. 239; Cooper, Mike, "Steel and Slide Hula Baloos", in the Rough Guide to World Music, pgs. 56 - 62
  149. ^ Breen, Marcus, "The Original Songlines" in the Rough Guide to World Music, pg. 8
  150. ^ Breen, Marcus, "The Original Songlines" in the Rough Guide to World Music, pg. 8
  151. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  152. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  153. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  154. ^ Manuel, Popular Musics, pg. 242
  155. ^ Feld, Stephen, "Bamboo Boogie-Woogie", in the Rough Guide to World Music, pgs. 183 - 188
  156. ^ Feld, Stephen, "Bamboo Boogie-Woogie", in the Rough Guide to World Music, pgs. 183 - 188
  157. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  158. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  159. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  160. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  161. ^ Feld, Stephen, "Bamboo Boogie-Woogie", in the Rough Guide to World Music, pgs. 183 - 188
  162. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  163. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  164. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  165. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  166. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  167. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  168. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  169. ^ Linkels, Ad, "The Real Music of Paradise", in the Rough Guide to World Music, pgs. 218 - 229
  170. ^ Manuel, Popular Musics, pgs. 59 - 60;
  171. ^ Manuel, Popular Musics, pg. 60
  172. ^ Manuel, Popular Musics, pg. 61
  173. ^ Manuel, Popular Musics, pgs. 59 - 60
  174. ^ Turino, pgs. 239 - 240
  175. ^ Manuel, Popular Musics, pg. 64; Turino, pg. 246
  176. ^ Manuel, Popular Musics, pg. 64; Turino, pg. 246
  177. ^ Manuel, Popular Musics, pg. 64; Turino, pg. 245
  178. ^ Manuel, Popular Musics, pg. 64; Turino, pg. 246
  179. ^ Manuel, Popular Musics, pgs. 50 - 52
  180. ^ Turino, pg. 244; Manuel, Popular Musics, pg. 50
  181. ^ Manuel, Popular Musics, pgs. 50 - 52; Turino, pg. 244
  182. ^ Turino, pg. 244
  183. ^ Turino, pg. 244
  184. ^ Turino, pgs. 239 - 240, 242
  185. ^ Turino, gp. 243
  186. ^ Turino, pg. 243
  187. ^ Tingey, Carol, "The Hills Are Alive", in the Rough Guide to World Music, pgs. 196 - 202
  188. ^ Tingey, Carol, "The Hills Are Alive", in the Rough Guide to World Music, pgs. 196 - 202
  189. ^ Tingey, Carol, "The Hills Are Alive", in the Rough Guide to World Music, pgs. 196 - 202
  190. ^ Tingey, Carol, "The Hills Are Alive", in the Rough Guide to World Music, pgs. 196 - 202
  191. ^ Tingey, Carol, "The Hills Are Alive", in the Rough Guide to World Music, pgs. 196 - 202
  192. ^ Tingey, Carol, "The Hills Are Alive", in the Rough Guide to World Music, pgs. 196 - 202
  193. ^ Ganhewa, Lalith, "Sounds of Serendipity", in the Rough Guide to World Music, pgs. 230 - 234
  194. ^ Ganhewa, Lalith, "Sounds of Serendipity", in the Rough Guide to World Music, pgs. 230 - 234
  195. ^ Clewley, John, "Heavenly Dancers", in the Rough Guide to World Music, pgs. 20 - 23
  196. ^ Clewley, John, "Heavenly Dancers", in the Rough Guide to World Music, pgs. 20 - 23
  197. ^ Clewley, John, "Heavenly Dancers", in the Rough Guide to World Music, pgs. 20 - 23
  198. ^ Clewley, John, "Beyond Our Khaen", in the Rough Guide to World Music, pgs. 170 - 174
  199. ^ Munan, Heidi, "Music at the Crossroads", in the Rough Guide to World Music, pgs. 175 - 182
  200. ^ Manuel, Popular Musics, pgs. 207, 213
  201. ^ Manuel, Popular Musics, pg. 213; Bass, Colin, "No Risk - No Fun!", in the Rough Guides to World Music, pg. 131 - 142
  202. ^ Manuel, Popular Musics, pgs. 209, 213, 215; Bass, Colin, "No Risk - No Fun!", in the Rough Guides to World Music, pg. 131 - 142
  203. ^ Manuel, Popular Musics, pg. 210; Bass, Colin, "No Risk - No Fun!", in the Rough Guides to World Music, pg. 131 - 142
  204. ^ Clewley, John, "Songs for Living", in the Rough Guide to World Music, pgs. 241 - 253
  205. ^ Clewley, John, "Songs for Living", in the Rough Guide to World Music, pgs. 241 - 253
  206. ^ Clewley, John, "Songs for Living", in the Rough Guide to World Music, pgs. 241 - 253
  207. ^ Clewley, John, "Beyond Our Khaen", in the Rough Guide to World Music, pgs. 170 - 174; Clewley, John, "Songs for Living", in the Rough Guide to World Music, pgs. 241 - 253
  208. ^ Clewley, John, "Beyond Our Khaen", in the Rough Guide to World Music, pgs. 170 - 174
  209. ^ Munan, Heidi, "Music at the Crossroads", in the Rough Guide to World Music, pgs. 175 - 182
  210. ^ Munan, Heidi, "Music at the Crossroads", in the Rough Guide to World Music, pgs. 175 - 182
  211. ^ Munan, Heidi, "Music at the Crossroads", in the Rough Guide to World Music, pgs. 175 - 182
  212. ^ Munan, Heidi, "Music at the Crossroads", in the Rough Guide to World Music, pgs. 175 - 182
  213. ^ Clewley, John, "Songs for Living", in the Rough Guide to World Music, pgs. 241 - 253
  214. ^ Clewley, John, "Songs for Living", in the Rough Guide to World Music, pgs. 241 - 253
  215. ^ Clewley, John, "Songs for Living", in the Rough Guide to World Music, pgs. 241 - 253
  216. ^ Blackburn, Philip, "Ancient Rock Music", in the Rough Guide to World Music, pgs. 262 - 269 Blackburn notes that nhac dan toc cai bien is a form of "modernised folk music (that) has only been traditional since 1956, when the [[Hanoi Conservatory of Music was founded and the teaching of folk music was deliberately "improved" (quotes in original)
  217. ^ Manuel, Popular Musics, pg. 200; Blackburn, Philip, "Ancient Rock Music", in the Rough Guide to World Music, pgs. 262 - 269
  218. ^ Manuel, Popular Musics, pg. 112
  219. ^ Manuel, Popular Musics, pgs. 111 - 112
  220. ^ Manuel, Popular Musics, pg. 111
  221. ^ Turino, pgs. 105, 162, 182 - 183
  222. ^ Turino, pgs. 162, 166
  223. ^ Turino, pg. 183
  224. ^ Manuel, Popular Musics, pg. 107
  225. ^ Turino, pg. 183
  226. ^ Manuel, Popular Musics, pg. 101
  227. ^ Manuel, Popular Musics, pgs. 90, 92
  228. ^ Manuel, Popular Musics, pg. 92
  229. ^ Turino, pgs. 90, 182
  230. ^ Manuel, Popular Musics, pg. 96
  231. ^ Manuel, Popular Musics, pg. 96
  232. ^ Manuel, Popular Musics, pg. 96
  233. ^ Turino, pg. 182
  234. ^ Turino, pg. 178
  235. ^ Turino, pg. 178
  236. ^ Turino, pg. 178
  237. ^ Turino, pg. 184
  238. ^ Manuel, Popular Musics, pg. 101
  239. ^ Turino, pgs. 172 - 173
  240. ^ Turino, pg. 172
  241. ^ Turino, pg. 172
  242. ^ Manuel, Popular Musics, pg. 95
  243. ^ Manuel, Popular Musics, pg. 95
  244. ^ Turino, pg. 183
  245. ^ Turino, pgs. 181 - 182