Cat's in the Cradle

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 96.24.165.24 (talk) at 04:15, 5 April 2008. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Jump to navigation Jump to search
"Cat's in the Cradle"
Song

"Cat's in the Cradle" is a 1974 folk rock song by Harry Chapin from the album Verities & Balderdash. It topped the Billboard Hot 100 in December 1974.

The song became the best known of Harry's work and a staple for folk rock music. Many people mistakenly believe the song to be the work of artist Cat Stevens, and a mistitled MP3 version is widely circulated on the internet. Jack Black contributed to this confusion, playing part of the song in a Saturday Night Live sketch where Black's character claimed the song was by Yusuf Islam, a.k.a. Cat Stevens. There are no known, verifiable recordings of Cat Stevens performing the song however, and a Cat Stevens fan web site assures readers that Stevens has never performed the song, "not live, not in the studio, and not even privately." Stevens did perform a song titled "Father and Son", but that was far different as the son was unsure of his future and the father is a more self-confident man assuring his son not to worry. Another misconception is that due to the tempo and lyrics, some have assumed it to have an upbeat message, which in the final verse is clear the song does not have a happy ending. The chorus refers to these:

The story

The song is told in first person, and relates the story of a father who is too busy to spend time with his son. Though the son repeatedly asks him to join in childhood activities, the father always responds with little more than vague promises of future quality time, which is peppered with images from nursery rhymes. While the son grows up loving and admiring his father, he picks up his father's habit of putting family on the backburner. This is seen in the third verse where the father asks the son, who at this point is a college student, to sit for a while but the son asks for the car keys instead. The son is now starting to become like his father in the sense that he does not have much time to spend with his father. The father becomes aware of his influence in the final verse, where he finally recognizes that his failure to spend time with his son growing up has made his son the same way, and he'll never be able to recapture those years.

Years pass and the lonely, aging father, who is now retired and free from the constraints of work, desires yet again to spend time with his son, who by this time is a family man himself. Hoping to make up for lost time, the father reaches out to him again. The son however has his own life and family to worry about; he warmly responds that he is now too busy with his own work and family to spend time with (or even talk to) his father. Like his father once had, the son promises that someday in the future they will spend time together. The last verses end with the lines "I'd love to dad if I could find the time/You see my new job's a hassle and the kids have the flu/But it's sure nice talking to you, dad … And as I hung up the phone, it occurred to me/He'd grown up just like me/My boy was just like me …". The father realizes that his son is now giving him vague promises like he once did to his son. The last line also says that the son's prediction about growing up to be like his father came true, although not in a way the father would have liked, and that the recurring lines of "we will get together then..we are going to have a good time then" are purely imaginary.

  • The Norwegian singer/guitarist Finn Kalvik released a Norwegian version in 1975, entitled "Aldri ride ranke og vuggesang", which charted in Norway.
  • Get a Life also spoofed the song in an episode where Chris and his father take part in a father-son activity day, and at the end Chris is glad to done something with his often cynical father. Chris Elliot then plays the guitar and sings the song, but it is interrupted by him somehow getting conked on the head.
  • DJ's Jimmy Ray & Jay of WGH-FM Eagle 97.3 (Norfolk, VA) wrote a parody of the song, entitled "Cats In The Kettle" on their second release Ill-Eagles II: Living in the House of Hope, which plays with the stereotype that Chinese restaurants in America use cat meat to pad out their food. As with the erroneous attributions of Chapin's song to Stevens, this parody has been attributed incorrectly to "Weird Al" Yankovic - a source of irritation to Yankovic, who eschews the use of racist humor.
  • The song was used as the music bed for a Northern Ireland Office anti-terrorism advertising campaign in the late 1980s, in which a man who commits a mass shooting in a pub loses his son in a terrorist attack many years later. The line "... my boy was just like me" plays as the son's coffin is lowered into the ground.
  • At the end of the Scrubs, season 4 episode "My Unicorn" when the character Murray (played by Matthew Perry) admits to his dad (who isn't actually his biological father) that he loves him. The dad (played by Perry's father John Bennett Perry) then proceeds to sing the song "Cats in the Cradle" before Murray tells him not to.
  • In the 'Til Death episode "I Heart Woodcocks" the song plays when Eddie puts Jeff's tape on his car stereo, though the captioning states the song is 'Cat Steven's Cat's in the Cradle."
  • In the Canadian television series, "Brothers By Choice" (1986), Max and Laura Williams sing the song at the end of episode 4.
  • In the 2007 movie Shrek the Third, Donkey sings the chorus line (to Shrek's irritation) when Shrek learns that he is going to be a father.
  • In the first episode of the Adult Swim show Harvey Birdman, Attorney at Law, Harvey makes an allusion to the song when speaking to Jonny Quest when he says, "Hmm... The cat's in the cradle, and the silver ball...".
  • In the Friends' episode The One With Chandler's Dad, Chandler states "It's all very cat's in the cradle" when explaining to Monica his estranged relationship with his drag-queen father.
  • In a late episode of Mad About You a pregnant Jamie asks Paul whether he's going to be "like the father in Cat's Cradle."
Preceded by Billboard Hot 100 number one single
December 21 1974
Succeeded by