Monna Vanna

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Viva-Verdi (talk | contribs) at 00:00, 17 March 2009 (Synopsis: Add "time/place"). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Jump to navigation Jump to search

Template:Rakhmaninov operas Monna Vanna (Russian: Монна Ванна) is an unfinished opera by Sergei Rachmaninoff (1873-1943) after a play by Maurice Maeterlinck. Rachmaninoff had completed Act I in short vocal score, with piano accompaniment, and then he went to ask for permission to set the text in a full three-act treatment. However, another composer, Henry Février, had by then received the rights to an operatic setting of the text. Had Rachmaninoff proceeded to a complete operatic setting, such a work could not have been produced in European countries which were signatories to copyright laws that covered the work of Maeterlinck. This opera could only have been produced in countries, like Russia, which at the time were not signatories to European copyright law. Ultimately, Rachmaninoff abandoned further work on this opera and never wrote a complete setting.[1]

Years later, Igor Buketoff prepared a performing orchestrated edition of the one-act torso, which he recorded and conducted in its world premiere with The Philadelphia Orchestra in 1984[2].

Roles

Role Voice type Premiere cast
Fragment performed, August 1984
(Conductor: Igor Buketoff)
Guido, military commander baritone Sherrill Milnes
Guido's father tenor John Alexander
Monna Vanna, wife of Guido soprano Tatiana Troyanos
Torello
Vorso
Chorus (off stage)

Synopsis

Time: 15th-century
Place: Pisa, Italy, during an armed conflict with the city under siege.

Act I is dived into three scenes.

Guido, the military commander in Pisa, learns from his father that the enemy will cease conflict if Monna Vanna, wife of Guido, goes to the enemy's camp, but dressed only in a mantle. Monna Vanna agrees to this demand.

Selected Recordings

References

  1. ^ Geoffrey Norris, "Tantalising torso". The Musical Times, 133(1792), p. 302 (1992).
  2. ^ Will Crutchfield, "Rachmaninoff's Monna Vanna Fragment". New York Times, 13 August 1984.
  3. ^ John Webb, "Record Review" (issues of Prokofiev and Rachmaninoff). Tempo (New Ser.), 181, pp. 40-41 (June 1992).