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==Biography==
==Biography==
Carlos Casas studied fine arts, cinema and design. In 1998 he was awarded an Artist-in-residence in Fabrica, research and communication center of Benetton.<ref>{{cite web | title=FABRICA & COLORS IN MOSCOW | url=http://2005to2007.fabrica.it/news.php?id=99 | work= | publisher=Fabrica | date= | accessdate=2009-04-24}}</ref><ref>{{cite web | title=Evolution of modern society through 'colors' | url=http://www.korea.net/news/news/NewsView.asp?serial_no=20061119014&part=106&SearchDay=&source= | work= | publisher=KOREA.net | date= | accessdate=2009-04-24}} {{Dead link|date=November 2010|bot=H3llBot}}</ref> In 2000 his short Film “''Afterwords''”, produced by Marco Müller and Fabrica Cinema was selected for [[Venice Film Festival]],<ref>{{cite web | title=Italian Cultural Institute in London | url=http://www.iicbelgrado.esteri.it/IIC_Londra/Menu/Gli_Eventi/Archivio/2001.htm | work= | publisher=Istituto Italiano di Cultura | date= | accessdate=2009-04-23}}</ref> [[International Film Festival Rotterdam]] and Reencontres du Cinema in Paris 2001. In 2001 he started a series of documentaries for Colors Magazine,<ref>{{cite web | title=Colors Magazine | url=http://www.colorsmagazine.com | work= | publisher= | date= | accessdate=2009-04-24}}</ref> and a series of Fieldworks, an ongoing experiment with ambiental video and radio frequencies, a sort of landscape video notes, in 2003 he developed a 52 min documentary,”[[Rocinha]]. ''Daylight of a favela''” Shot on location in one of the biggest [[favelas]] in Rio de Janeiro.He also publish a compilation of Funk Carioca in collaboration with DJ Marlboro and Irma Records. In 2004 he finished “''Aral. Fishing in an invisible sea''” about the life of the three remaining generation of Fishermen in the Aral sea, which won the best documentary award in Torino Film festival 2004, and was selected for the [[International Film Festival Rotterdam]] 2005. [[Visions du réel|Visions du Réel]] documentary film festival, [[Nyon, Switzerland]] 2005, ''One World'' [[Prague]] 2005, and Documenta Madrid 2005 where it received the special mention from the jury. In May 2005 he finished a 52 min version of the Patagonia research “''Solitude at the end of the world''”which received the special prize from the Jury in [[BAFICI]] Buenos Aires International Festival of Independent Cinema 2006. The Siberia project ”''Hunters since the beginning of time''” is the last chapter of a trilogy of films dedicated to the most extreme environments in the world. (Patagonia, Aral, Siberia) was awarded Best Documentary Award in [[FICCO]] Mexico International Film Festival 2008. In 2008 he published a selection of forbidden funk [Proibidão][http://www.squidco.com/miva/merchant.mvc?Screen=PROD&Product_Code=8636&Category_Code=WORLD&Product_Count=52 Proibidao CV]: Forbidden Gang Funk From Rio de Janeiro for the label [http://www.sublimefrequencies.com Sublime Frequencies]. In 2007 he presented in different festivals in his latest work ''Tundra'' from the ''[[Siberian]] Fieldworks'' series,<ref>{{cite web | title=Carlos Casas/Sebastian Escofet: Siberian Fieldworks | url=http://www.netmage.it/Risorse%20Netmage07/casas-escofet.html | work= | publisher= | date= | accessdate=2009-04-24}}</ref> a [[live media]] project premiered at [[Netmage Festival]]<ref>{{cite web | title=Carlos Casas/Sebastian Escofet: Siberian Fieldworks | url=http://www.netmage.it/Risorse%20Netmage07/casas-escofet.html | work= | publisher= | year=2007 | accessdate=2009-04-24}}</ref> in Bologna and [[Sonar]].<ref>{{cite web | title=Conciertos y Dj's | url=http://www.sonar.es/2007/esp/prog/concerts.cfm?fecha=3 | work= | publisher= | year=2007 | accessdate=2009-04-24}}</ref> and was also presented in [http://www.multiplicidade.com/site/ Multiplicidade] in Rio de Janeiro.
Carlos Casas studied fine arts, cinema and design. In 1998 he was awarded an Artist-in-residence in Fabrica, research and communication center of Benetton.<ref>{{cite web | title=FABRICA & COLORS IN MOSCOW | url=http://2005to2007.fabrica.it/news.php?id=99 | work= | publisher=Fabrica | date= | accessdate=2009-04-24}}</ref><ref>{{cite web | title=Evolution of modern society through 'colors' | url=http://www.korea.net/news/news/NewsView.asp?serial_no=20061119014&part=106&SearchDay=&source= | work= | publisher=KOREA.net | date= | accessdate=2009-04-24}} {{Dead link|date=November 2010|bot=H3llBot}}</ref> In 2000 his short Film “''Afterwords''”, produced by Marco Müller and Fabrica Cinema was selected for [[Venice Film Festival]],<ref>{{cite web | title=Italian Cultural Institute in London | url=http://www.iicbelgrado.esteri.it/IIC_Londra/Menu/Gli_Eventi/Archivio/2001.htm | work= | publisher=Istituto Italiano di Cultura | date= | accessdate=2009-04-23}}</ref> [[International Film Festival Rotterdam]] and Reencontres du Cinema in Paris 2001. In 2001 he started a series of documentaries for Colors Magazine,<ref>{{cite web | title=Colors Magazine | url=http://www.colorsmagazine.com | work= | publisher= | date= | accessdate=2009-04-24}}</ref> and a series of Fieldworks, an ongoing experiment with ambiental video and radio frequencies, a sort of landscape video notes, in 2003 he developed a 52 min documentary,”[[Rocinha]]. ''Daylight of a favela''” Shot on location in one of the biggest [[favelas]] in Rio de Janeiro.He also publish a compilation of Funk Carioca in collaboration with DJ Marlboro and Irma Records. In 2004 he finished “''Aral. Fishing in an invisible sea''” about the life of the three remaining generation of Fishermen in the Aral sea, which won the best documentary award in Torino Film festival 2004, and was selected for the [[International Film Festival Rotterdam]] 2005. [[Visions du réel|Visions du Réel]] documentary film festival, [[Nyon, Switzerland]] 2005, ''One World'' [[Prague]] 2005, and Documenta Madrid 2005 where it received the special mention from the jury. In May 2005 he finished a 52 min version of the Patagonia research “''Solitude at the end of the world''”which received the special prize from the Jury in [[BAFICI]] Buenos Aires International Festival of Independent Cinema 2006. The Siberia project ”''Hunters since the beginning of time''” is the last chapter of a trilogy of films dedicated to the most extreme environments in the world. (Patagonia, Aral, Siberia) was awarded Best Documentary Award in [[FICCO]] Mexico International Film Festival 2008. In 2008 he published a selection of forbidden funk [Proibidão][https://web.archive.org/web/20110613152621/http://www.squidco.com/miva/merchant.mvc?Screen=PROD&Product_Code=8636&Category_Code=WORLD&Product_Count=52 Proibidao CV]: Forbidden Gang Funk From Rio de Janeiro for the label [http://www.sublimefrequencies.com Sublime Frequencies]. In 2007 he presented in different festivals in his latest work ''Tundra'' from the ''[[Siberian]] Fieldworks'' series,<ref>{{cite web | title=Carlos Casas/Sebastian Escofet: Siberian Fieldworks | url=http://www.netmage.it/Risorse%20Netmage07/casas-escofet.html | work= | publisher= | date= | accessdate=2009-04-24}}</ref> a [[live media]] project premiered at [[Netmage Festival]]<ref>{{cite web | title=Carlos Casas/Sebastian Escofet: Siberian Fieldworks | url=http://www.netmage.it/Risorse%20Netmage07/casas-escofet.html | work= | publisher= | year=2007 | accessdate=2009-04-24}}</ref> in Bologna and [[Sonar]].<ref>{{cite web | title=Conciertos y Dj's | url=http://www.sonar.es/2007/esp/prog/concerts.cfm?fecha=3 | work= | publisher= | year=2007 | accessdate=2009-04-24}}</ref> and was also presented in [http://www.multiplicidade.com/site/ Multiplicidade] in Rio de Janeiro.
In 2008 he founded together with fellow artist friend, [[Nico Vascellari]] [http://www.vonarchives.com/ Von Archives] an audiovisual label publishing experimental audiovisual productions. Later in 2009 he created with partner and wife Saodat Ismailova, [http://www.mapproductions.org/index.html Map Productions], a production house dedicated to develop audiovisual projects around the world, from feature films, to documentaries. In 2010 he presented his Cemetery Archive Works in [http://www.netmage.it Netmage] and his End trilogy was presented for the first time in [http://www.cinetecanacional.net/micrositios/foro29/cartelera.php?cvePel=7421 Cineteca Mexicana]. In June 2010 [http://www.hangarbicocca.it/page/exhibition/516/period/past/year/2010/id/583 Hangar Bicocca] in Milano presented END a comprehensive exhibition of the trilogy.
In 2008 he founded together with fellow artist friend, [[Nico Vascellari]] [http://www.vonarchives.com/ Von Archives] an audiovisual label publishing experimental audiovisual productions. Later in 2009 he created with partner and wife Saodat Ismailova, [http://www.mapproductions.org/index.html Map Productions], a production house dedicated to develop audiovisual projects around the world, from feature films, to documentaries. In 2010 he presented his Cemetery Archive Works in [http://www.netmage.it Netmage] and his End trilogy was presented for the first time in [http://www.cinetecanacional.net/micrositios/foro29/cartelera.php?cvePel=7421 Cineteca Mexicana]{{dead link|date=July 2017 |bot=InternetArchiveBot |fix-attempted=yes }}. In June 2010 [https://web.archive.org/web/20111009185006/http://www.hangarbicocca.it/page/exhibition/516/period/past/year/2010/id/583 Hangar Bicocca] in Milano presented END a comprehensive exhibition of the trilogy.
Avalanche (overture) his latest project is a collaboration with the American sound artist and minimalist legend [[Phill Niblock]] an ongoing project based in the Pamir mountains, in one of the world's highest inhabited villages. Avalanche (overture) superimposes Casas' footage over the overtones of "Stosspeng," a piece by Niblock. It is a visual-sonic journey, an extremely intense audiovisual meditation and a sensory experience in which extremes meet: nature in its rawest state and the pure, breathtaking and heady sound of drones. Presented for the first time in its first incarnation in Sonar Festival, Avalanche is an open film, reedited every time it is shown and adapted to the space it is presented Avalanche is an organic example of film-making, an ongoing document to the disappearance of this village, a reactive film within its community, Avalanche is alive together with the village, dying and born again every time it is presented. He is currently working on a film about a cemetery of elephants on the borders between India and Nepal.
Avalanche (overture) his latest project is a collaboration with the American sound artist and minimalist legend [[Phill Niblock]] an ongoing project based in the Pamir mountains, in one of the world's highest inhabited villages. Avalanche (overture) superimposes Casas' footage over the overtones of "Stosspeng," a piece by Niblock. It is a visual-sonic journey, an extremely intense audiovisual meditation and a sensory experience in which extremes meet: nature in its rawest state and the pure, breathtaking and heady sound of drones. Presented for the first time in its first incarnation in Sonar Festival, Avalanche is an open film, reedited every time it is shown and adapted to the space it is presented Avalanche is an organic example of film-making, an ongoing document to the disappearance of this village, a reactive film within its community, Avalanche is alive together with the village, dying and born again every time it is presented. He is currently working on a film about a cemetery of elephants on the borders between India and Nepal.


==Filmography==
==Filmography==
*Avalanche (2010-ongoing)<ref>http://www.musicalcriticism.com/concerts/bozar-niblock-casas-0910.shtml</ref><ref>http://www.bozar.be/activity.php?id=10334</ref><ref>http://www.estatic.it/en/content/visionair-10-carlos-casas-phill-niblock-avalanche</ref><ref>http://2010.sonar.es/es/artistes/phill-niblock-carlos-casas_195.html</ref>
*Avalanche (2010-ongoing)<ref>http://www.musicalcriticism.com/concerts/bozar-niblock-casas-0910.shtml</ref><ref>http://www.bozar.be/activity.php?id=10334</ref><ref>http://www.estatic.it/en/content/visionair-10-carlos-casas-phill-niblock-avalanche</ref><ref>{{cite web |url=http://2010.sonar.es/es/artistes/phill-niblock-carlos-casas_195.html |title=Archived copy |accessdate=2010-04-08 |deadurl=yes |archiveurl=https://web.archive.org/web/20100302133143/http://2010.sonar.es/es/artistes/phill-niblock-carlos-casas_195.html |archivedate=2010-03-02 |df= }}</ref>
*Hunters Since the Beginning of Time (2008)<ref>http://www.carloscasas.net/siberia.html</ref>
*Hunters Since the Beginning of Time (2008)<ref>{{cite web |url=http://www.carloscasas.net/siberia.html |title=Archived copy |accessdate=2009-04-21 |deadurl=yes |archiveurl=https://web.archive.org/web/20090414215251/http://www.carloscasas.net/siberia.html |archivedate=2009-04-14 |df= }}</ref>
*Solitude at the End of the Time (2005) <ref>http://www.carloscasas.net/patagonia.html</ref><ref>{{cite web | title=Cazadores, desde el principio del tiempo (Hunters, since the Beginning of Time) | url=http://www.mardelplatafilmfest.com/24/en/muestra_pelicula.php?id=0007 | work= | publisher=24* Festival Internacional de Cine Mar de la Plata Argentina | date= | accessdate=2009-04-24}}</ref>
*Solitude at the End of the Time (2005) <ref>{{cite web |url=http://www.carloscasas.net/patagonia.html |title=Archived copy |accessdate=2009-04-21 |deadurl=yes |archiveurl=https://web.archive.org/web/20090216003642/http://www.carloscasas.net/patagonia.html |archivedate=2009-02-16 |df= }}</ref><ref>{{cite web | title=Cazadores, desde el principio del tiempo (Hunters, since the Beginning of Time) | url=http://www.mardelplatafilmfest.com/24/en/muestra_pelicula.php?id=0007 | work= | publisher=24* Festival Internacional de Cine Mar de la Plata Argentina | date= | accessdate=2009-04-24}}</ref>
*Aral. Fishing in an Invisible Sea (2004) <ref>http://www.carloscasas.net/aral.html</ref><ref>{{cite web | title=ARAL | url=http://www.visionsdureel.ch/fileadmin/moarch/pdf/05/0012.pdf | work= | publisher=www.visionsdureel.ch | date= | accessdate=2009-04-24}}</ref>
*Aral. Fishing in an Invisible Sea (2004) <ref>{{cite web |url=http://www.carloscasas.net/aral.html |title=Archived copy |accessdate=2009-04-21 |deadurl=yes |archiveurl=https://web.archive.org/web/20090216003441/http://www.carloscasas.net/aral.html |archivedate=2009-02-16 |df= }}</ref><ref>{{cite web | title=ARAL | url=http://www.visionsdureel.ch/fileadmin/moarch/pdf/05/0012.pdf | work= | publisher=www.visionsdureel.ch | date= | accessdate=2009-04-24}}</ref>
*Rocinha. Daylight of a Favela (2003) <ref>http://www.carloscasas.net/rocinha.html</ref>
*Rocinha. Daylight of a Favela (2003) <ref>{{cite web |url=http://www.carloscasas.net/rocinha.html |title=Archived copy |accessdate=2009-04-21 |deadurl=yes |archiveurl=https://web.archive.org/web/20090414212049/http://www.carloscasas.net/rocinha.html |archivedate=2009-04-14 |df= }}</ref>
*Afterwords (2000) <ref>http://www.carloscasas.net/afterwords.html</ref>
*Afterwords (2000) <ref>{{cite web |url=http://www.carloscasas.net/afterwords.html |title=Archived copy |accessdate=2009-04-21 |deadurl=yes |archiveurl=https://web.archive.org/web/20091001092020/http://www.carloscasas.net/afterwords.html |archivedate=2009-10-01 |df= }}</ref>


==Awards==
==Awards==
Line 23: Line 23:


==External links==
==External links==
*[http://www.carloscasas.net Carlos Casas website]<br />[https://www.youtube.com/casasarchive Carlos Casas youtube Channel]<br />[http://vimeo.com/user460110 Carlos Casas Vimeo channel]<br />[http://www.thewire.co.uk/themire/2010/05/carlos-casas-unedited-interview-transcript Carlos Casas the wire interview ]<br />[http://www.thewire.co.uk/articles/4281/ The Wire magazine]<br />[http://www.domusweb.it/en/art/video-carlos-casas-at-the-hangar-bicocca/ Carlos Casas at Hangar Bicocca Domus magazine]<br />[http://www.digicult.it/digimag/article.asp?id=1964 Carlos Casas digicult interview]<br />[http://www.digicult.it/digimag/article.asp?id=1700 Netmage 2010 digicult interview]<br />[http://www.teknemedia.net/pagine-gialle/artisti/carlos_casas/index.html Recent Exhibitions]<br />[http://www.exibart.com/profilo/autoriv2/persona_view.asp?id=9082&op=chiuse Exibart]<br /> [http://www.nonsolocinema.com/HUNTERS-SINCE-THE-BEGINNING-OF_13981.html Review Hunters since the beginning of time]<br /> [http://www.nonsolocinema.com/Solitudine-alla-fine-del-mondo-di.html Review Solitude at the end of the world]<br />[http://www.undo.net/cgi-bin/undo/pressrelease/pressrelease.pl?id=1213269695&day=1213394400 Siberian Fieldworks at Galerie Davide Gallo Berlin]<br />[http://www.teknemedia.net/pagine-gialle/gallerie/estatic_blank_torino/dettaglio-mostra/33389.html Carlos Casas, Thomas Köner - Ways to Nowhere] {{it icon}}<br />[http://www.blogsandocs.com/?p=389 ''BLOGS&DOCS'' "Buscar los orígenes"],<br />[http://www.abitare.it/featured/carlos-casas-spazi-di-suono/ Abitare Carlos Casas "Spazi di suono"]
*[http://www.carloscasas.net Carlos Casas website]<br />[https://www.youtube.com/casasarchive Carlos Casas youtube Channel]<br />[http://vimeo.com/user460110 Carlos Casas Vimeo channel]<br />[http://www.thewire.co.uk/themire/2010/05/carlos-casas-unedited-interview-transcript Carlos Casas the wire interview ]<br />[http://www.thewire.co.uk/articles/4281/ The Wire magazine]<br />[http://www.domusweb.it/en/art/video-carlos-casas-at-the-hangar-bicocca/ Carlos Casas at Hangar Bicocca Domus magazine]<br />[https://web.archive.org/web/20110722053202/http://www.digicult.it/digimag/article.asp?id=1964 Carlos Casas digicult interview]<br />[https://web.archive.org/web/20110722053242/http://www.digicult.it/digimag/article.asp?id=1700 Netmage 2010 digicult interview]<br />[http://www.teknemedia.net/pagine-gialle/artisti/carlos_casas/index.html Recent Exhibitions]<br />[http://www.exibart.com/profilo/autoriv2/persona_view.asp?id=9082&op=chiuse Exibart]<br /> [http://www.nonsolocinema.com/HUNTERS-SINCE-THE-BEGINNING-OF_13981.html Review Hunters since the beginning of time]<br /> [http://www.nonsolocinema.com/Solitudine-alla-fine-del-mondo-di.html Review Solitude at the end of the world]<br />[http://www.undo.net/cgi-bin/undo/pressrelease/pressrelease.pl?id=1213269695&day=1213394400 Siberian Fieldworks at Galerie Davide Gallo Berlin]<br />[http://www.teknemedia.net/pagine-gialle/gallerie/estatic_blank_torino/dettaglio-mostra/33389.html Carlos Casas, Thomas Köner - Ways to Nowhere] {{it icon}}<br />[http://www.blogsandocs.com/?p=389 ''BLOGS&DOCS'' "Buscar los orígenes"],<br />[http://www.abitare.it/featured/carlos-casas-spazi-di-suono/ Abitare Carlos Casas "Spazi di suono"]


==Galleries==
==Galleries==
*[http://www.estatic.it/eventi/waystonowhere.htm e/static in Turin]
*[http://www.estatic.it/eventi/waystonowhere.htm e/static in Turin]{{dead link|date=July 2017 |bot=InternetArchiveBot |fix-attempted=yes }}
*[http://www.galeriedavidegallo.com/index.php?id=exhibition_casas Galerie Davide Gallo in Berlin]
*[http://www.galeriedavidegallo.com/index.php?id=exhibition_casas Galerie Davide Gallo in Berlin]


Revision as of 03:39, 31 July 2017

Carlos Casas (born in Barcelona in 1974) is a Spanish filmmaker and visual artist. His work is a cross between documentary film, cinema, and contemporary visual and sound arts. His last three films have been awarded in festivals around the world from Torino, Madrid, Buenos Aires, and Mexico City and some of his video works have been presented in collective and personal exhibitions. In 2001 he started a trilogy of work dedicated to the most extreme environments on the planet: Patagonia, the Aral sea, and Siberia. He has collaborated with musicians and artists like Phill Niblock, Z'EV, Nico Vascellari, Prurient, Sebastian Escofet, Nastro Mortal.

Biography

Carlos Casas studied fine arts, cinema and design. In 1998 he was awarded an Artist-in-residence in Fabrica, research and communication center of Benetton.[1][2] In 2000 his short Film “Afterwords”, produced by Marco Müller and Fabrica Cinema was selected for Venice Film Festival,[3] International Film Festival Rotterdam and Reencontres du Cinema in Paris 2001. In 2001 he started a series of documentaries for Colors Magazine,[4] and a series of Fieldworks, an ongoing experiment with ambiental video and radio frequencies, a sort of landscape video notes, in 2003 he developed a 52 min documentary,”Rocinha. Daylight of a favela” Shot on location in one of the biggest favelas in Rio de Janeiro.He also publish a compilation of Funk Carioca in collaboration with DJ Marlboro and Irma Records. In 2004 he finished “Aral. Fishing in an invisible sea” about the life of the three remaining generation of Fishermen in the Aral sea, which won the best documentary award in Torino Film festival 2004, and was selected for the International Film Festival Rotterdam 2005. Visions du Réel documentary film festival, Nyon, Switzerland 2005, One World Prague 2005, and Documenta Madrid 2005 where it received the special mention from the jury. In May 2005 he finished a 52 min version of the Patagonia research “Solitude at the end of the world”which received the special prize from the Jury in BAFICI Buenos Aires International Festival of Independent Cinema 2006. The Siberia project ”Hunters since the beginning of time” is the last chapter of a trilogy of films dedicated to the most extreme environments in the world. (Patagonia, Aral, Siberia) was awarded Best Documentary Award in FICCO Mexico International Film Festival 2008. In 2008 he published a selection of forbidden funk [Proibidão]Proibidao CV: Forbidden Gang Funk From Rio de Janeiro for the label Sublime Frequencies. In 2007 he presented in different festivals in his latest work Tundra from the Siberian Fieldworks series,[5] a live media project premiered at Netmage Festival[6] in Bologna and Sonar.[7] and was also presented in Multiplicidade in Rio de Janeiro. In 2008 he founded together with fellow artist friend, Nico Vascellari Von Archives an audiovisual label publishing experimental audiovisual productions. Later in 2009 he created with partner and wife Saodat Ismailova, Map Productions, a production house dedicated to develop audiovisual projects around the world, from feature films, to documentaries. In 2010 he presented his Cemetery Archive Works in Netmage and his End trilogy was presented for the first time in Cineteca Mexicana[permanent dead link]. In June 2010 Hangar Bicocca in Milano presented END a comprehensive exhibition of the trilogy. Avalanche (overture) his latest project is a collaboration with the American sound artist and minimalist legend Phill Niblock an ongoing project based in the Pamir mountains, in one of the world's highest inhabited villages. Avalanche (overture) superimposes Casas' footage over the overtones of "Stosspeng," a piece by Niblock. It is a visual-sonic journey, an extremely intense audiovisual meditation and a sensory experience in which extremes meet: nature in its rawest state and the pure, breathtaking and heady sound of drones. Presented for the first time in its first incarnation in Sonar Festival, Avalanche is an open film, reedited every time it is shown and adapted to the space it is presented Avalanche is an organic example of film-making, an ongoing document to the disappearance of this village, a reactive film within its community, Avalanche is alive together with the village, dying and born again every time it is presented. He is currently working on a film about a cemetery of elephants on the borders between India and Nepal.

Filmography

  • Avalanche (2010-ongoing)[8][9][10][11]
  • Hunters Since the Beginning of Time (2008)[12]
  • Solitude at the End of the Time (2005) [13][14]
  • Aral. Fishing in an Invisible Sea (2004) [15][16]
  • Rocinha. Daylight of a Favela (2003) [17]
  • Afterwords (2000) [18]

Awards

Best Documentary Award FICCO 2007 (Mexico International Film Festival) for Hunters since the beginning of time
Special prize of the Jury BAFICI 2006 (Buenos Aires International Festival of Independent Cinema) for Solitude at the end of the world
Best Documentary Award Torino Film Festival 2004 for Aral. Fishing in an invisible sea
Special prize of the jury Documenta Madrid 2005 for Aral. Fishing in an invisible sea

Galleries

References

  1. ^ "FABRICA & COLORS IN MOSCOW". Fabrica. Retrieved 2009-04-24.
  2. ^ "Evolution of modern society through 'colors'". KOREA.net. Retrieved 2009-04-24. [dead link]
  3. ^ "Italian Cultural Institute in London". Istituto Italiano di Cultura. Retrieved 2009-04-23.
  4. ^ "Colors Magazine". Retrieved 2009-04-24.
  5. ^ "Carlos Casas/Sebastian Escofet: Siberian Fieldworks". Retrieved 2009-04-24.
  6. ^ "Carlos Casas/Sebastian Escofet: Siberian Fieldworks". 2007. Retrieved 2009-04-24.
  7. ^ "Conciertos y Dj's". 2007. Retrieved 2009-04-24.
  8. ^ http://www.musicalcriticism.com/concerts/bozar-niblock-casas-0910.shtml
  9. ^ http://www.bozar.be/activity.php?id=10334
  10. ^ http://www.estatic.it/en/content/visionair-10-carlos-casas-phill-niblock-avalanche
  11. ^ "Archived copy". Archived from the original on 2010-03-02. Retrieved 2010-04-08. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)CS1 maint: archived copy as title (link)
  12. ^ "Archived copy". Archived from the original on 2009-04-14. Retrieved 2009-04-21. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)CS1 maint: archived copy as title (link)
  13. ^ "Archived copy". Archived from the original on 2009-02-16. Retrieved 2009-04-21. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)CS1 maint: archived copy as title (link)
  14. ^ "Cazadores, desde el principio del tiempo (Hunters, since the Beginning of Time)". 24* Festival Internacional de Cine Mar de la Plata Argentina. Retrieved 2009-04-24.
  15. ^ "Archived copy". Archived from the original on 2009-02-16. Retrieved 2009-04-21. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)CS1 maint: archived copy as title (link)
  16. ^ "ARAL" (PDF). www.visionsdureel.ch. Retrieved 2009-04-24.
  17. ^ "Archived copy". Archived from the original on 2009-04-14. Retrieved 2009-04-21. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)CS1 maint: archived copy as title (link)
  18. ^ "Archived copy". Archived from the original on 2009-10-01. Retrieved 2009-04-21. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)CS1 maint: archived copy as title (link)
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